A work in constant progress (and occasional regress).
Alias:
Patrick Jackson
Birthplace:
Eltham, London, England, UK
Born:
March 26, 1916
Died:
June 3, 2011
Patrick Douglas Selmes Jackson (26 March 1916 – 3 June 2011) was an English film and television director. Born in Eltham, to a formerly affluent family which was severely affected by the Wall Street Crash in 1929, and his father's long-term illness and early death ending Jackson's formal education. He joined the GPO Film Unit on his 17th birthday as a messenger boy after his mother persuaded her MP, Sir Kingsley Wood, then also postmaster general, to find work for her son. Rising to production assistant, he was part of the crew for the short film Night Mail (1936). The voice narrating the poem by W.H. Auden ("This is the Night Mail crossing the border, bringing the cheque and the postal order.") was Jackson himself. He directed a number of documentaries, the first being The Horsey Mail (1938) about the rural postal service in Suffolk. The First Days (1939), co-directed by Harry Watt and Humphrey Jennings, was the first of the wartime documentaries, in this instance concerned with the 'Phoney War' period. Jackson's debut feature film was Western Approaches (1944), a semi-documentary war film for what was now the Ministry of Information's Crown Film Unit. For what became a three-year project, Jackson took on the writing, direction, editing and casting (of non-professional actors) a film about merchant seamen. Featuring an extended period on location at sea, the lifeboat sequences alone took six-months to complete. After the war, Jackson spent three years in Hollywood under contract to MGM, although the only film he directed during this period was Shadow on the Wall (1950), based on the novel Death in the Doll's House by Lawrence P. Bachmann and Hannah Leessuch. His film Encore (1951) was in competition at the 1952 Cannes Film Festival . White Corridors (1951), a semi-documentary drama about a hospital in the regions, was critically well received at the time. What a Carve Up! (1961), a film in the old dark house genre, was the most commercially successful of Jackson's later feature films. Jackson worked in television during the 1960s and 1970s. Impressed by the stage work of Patrick McGoohan, he seems to have been involved in casting him for Danger Man (US:Secret Agent), episodes of which he directed. Apart from McGoohan's The Prisoner (1967), he was also involved with episodes of The Saint and The Professionals. Jackson died on 3 June 2011 aged 95.
Director:
1938 The Horsey Mail
1939 The First Days
1940 Health in War
1942 Builders
1942 Ferry Pilot
1944 Western Approaches
1950 Shadow on the Wall
1951 Encore
1951 White Corridors
1956 The Feminine Touch
1957 The Birthday Present
1959 Virgin Island
1960 Snowball
1961 Seven Keys
1961 What a Carve Up!
1962 Don't Talk to Strange Men
1963 Seventy Deadly Pills
1966 The Stable Door
1968 On the Run
1975 King Arthur, the Young Warlord
Screenplay:
1938 The Horsey Mail
1939 The First Days
1940 Health in War
1942 Builders
1942 Ferry Pilot
1944 Western Approaches
1950 Shadow on the Wall
1951 Encore
1951 White Corridors
1956 The Feminine Touch
1957 The Birthday Present
1959 Virgin Island
1960 Snowball
1961 Seven Keys
1961 What a Carve Up!
1962 Don't Talk to Strange Men
1963 Seventy Deadly Pills
1966 The Stable Door
1968 On the Run
1975 King Arthur, the Young Warlord
Writer:
1938 The Horsey Mail
1939 The First Days
1940 Health in War
1942 Builders
1942 Ferry Pilot
1944 Western Approaches
1950 Shadow on the Wall
1951 Encore
1951 White Corridors
1952 Something Money Can't Buy
1956 The Feminine Touch
1957 The Birthday Present
1959 Virgin Island
1960 Snowball
1961 Seven Keys
1961 What a Carve Up!
1962 Don't Talk to Strange Men
1963 Seventy Deadly Pills
1966 The Stable Door
1968 On the Run
1975 King Arthur, the Young Warlord
Director:
1960 Danger Man
1962 The Saint
1967 Man in a Suitcase
1967 The Prisoner
1972 Arthur of the Britons
1977 The Professionals
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.