A work in constant progress (and occasional regress).
Birthplace:
Tolima, Colombia
Born:
December 2, 1941
Died:
January 28, 1987
Jorge Silva was a Colombian director and cinematographer, known for Our Voice of Earth, Memory and Future (1982), Peasants (1975) and The Brickmakers (1972). He died in 1988 while working on the documentary Love, Women and Flowers (1988) with his wife and filmmaking partner Marta RodrÃguez.
Camera Operator:
2022 Camilo Torres Restrepo, el amor eficaz
Cinematography:
1975 Campesinos
2022 Camilo Torres Restrepo, el amor eficaz
Director:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
2022 Camilo Torres Restrepo, el amor eficaz
Director of Photography:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
2022 Camilo Torres Restrepo, el amor eficaz
Editor:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
2022 Camilo Torres Restrepo, el amor eficaz
Producer:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
2022 Camilo Torres Restrepo, el amor eficaz
Editor:
2008 En nombre del amor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.