A work in constant progress (and occasional regress).
Alias:
Jörg Burger
Born:
January 1, 1961
Camera Operator:
2024 Archive of the Future
Cinematography:
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2024 Archive of the Future
???? Un solo colore
Director:
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2019 Elfie Semotan, Photographer
2024 Archive of the Future
???? Un solo colore
Director of Photography:
1992 Wen die Götter lieben
1999 Verräumt
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Herzausreisser - Neues vom Wienerlied
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2014 The Great Museum
2014 The Unbearable Presence of Asmahan
2016 Cinema Futures
2019 Elfie Semotan, Photographer
2020 This Land Is My Land
2020 Wood
2021 Second Thoughts First
2024 Archive of the Future
???? Un solo colore
Editor:
1992 Wen die Götter lieben
1999 Verräumt
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Herzausreisser - Neues vom Wienerlied
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2014 The Great Museum
2014 The Unbearable Presence of Asmahan
2016 Cinema Futures
2019 Elfie Semotan, Photographer
2020 This Land Is My Land
2020 Wood
2021 Second Thoughts First
2024 Archive of the Future
???? Un solo colore
Executive Producer:
1992 Wen die Götter lieben
1999 Verräumt
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Herzausreisser - Neues vom Wienerlied
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2014 The Great Museum
2014 The Unbearable Presence of Asmahan
2016 Cinema Futures
2019 Elfie Semotan, Photographer
2020 This Land Is My Land
2020 Wood
2021 Second Thoughts First
2024 Archive of the Future
???? Un solo colore
Script:
1992 Wen die Götter lieben
1999 Verräumt
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Herzausreisser - Neues vom Wienerlied
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2014 The Great Museum
2014 The Unbearable Presence of Asmahan
2016 Cinema Futures
2019 Elfie Semotan, Photographer
2020 This Land Is My Land
2020 Wood
2021 Second Thoughts First
2024 Archive of the Future
???? Un solo colore
Writer:
1992 Wen die Götter lieben
1999 Verräumt
2004 Edgar G. Ulmer: The Man Off-Screen
2005 Article 7 - Our Right!
2005 Restoring 'Entuziazm'
2008 Herzausreisser - Neues vom Wienerlied
2008 Marina And Sasha, Coal Shippers
2008 Woman's Day
2010 Wolf Suschitzky - Fotograf und Kameramann
2011 Way of Passion
2014 Focus on Infinity
2014 The Great Museum
2014 The Unbearable Presence of Asmahan
2016 Cinema Futures
2019 Elfie Semotan, Photographer
2020 This Land Is My Land
2020 Wood
2021 Second Thoughts First
2024 Archive of the Future
???? Un solo colore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.