A work in constant progress (and occasional regress).
Alias:
Carl Zint
Karl E. Zint
Karl Zindt
Birthplace:
California, USA
Born:
April 25, 1909
Died:
March 30, 1978
Recording Supervision:
1938 Barefoot Boy
1938 Gangster's Boy
1938 Mr. Wong, Detective
Sound:
1932 Letty Lynton
1934 Allez Oop
1936 Grand Slam Opera
1937 Texas Trail
1938 Barefoot Boy
1938 Gangster's Boy
1938 Mr. Wong, Detective
1941 Scattergood Meets Broadway
1961 A Cold Wind in August
1961 Master of the World
Sound Editor:
1932 Letty Lynton
1934 Allez Oop
1936 Grand Slam Opera
1937 Texas Trail
1938 Barefoot Boy
1938 Gangster's Boy
1938 Mr. Wong, Detective
1940 On the Spot
1941 Scattergood Meets Broadway
1961 A Cold Wind in August
1961 Master of the World
Sound Effects:
1932 Letty Lynton
1934 Allez Oop
1934 Young and Beautiful
1936 Grand Slam Opera
1937 Texas Trail
1938 Barefoot Boy
1938 Gangster's Boy
1938 Mr. Wong, Detective
1940 On the Spot
1941 Scattergood Meets Broadway
1961 A Cold Wind in August
1961 Master of the World
Sound Engineer:
1932 Letty Lynton
1934 Allez Oop
1934 Young and Beautiful
1936 Grand Slam Opera
1937 Texas Trail
1938 Barefoot Boy
1938 Gangster's Boy
1938 Mr. Wong, Detective
1940 Hidden Enemy
1940 On the Spot
1941 Road to Happiness
1941 Scattergood Meets Broadway
1961 A Cold Wind in August
1961 Master of the World
Sound Recordist:
1932 Letty Lynton
1934 Allez Oop
1934 Young and Beautiful
1936 Grand Slam Opera
1937 Drums of Destiny
1937 Texas Trail
1937 Where Trails Divide
1938 Barefoot Boy
1938 Gang Bullets
1938 Gangster's Boy
1938 Mr. Wong, Detective
1940 Doomed to Die
1940 Hidden Enemy
1940 Midnight Limited
1940 On the Spot
1940 The Ape
1940 The Fatal Hour
1940 The Old Swimmin' Hole
1941 Road to Happiness
1941 Scattergood Meets Broadway
1961 A Cold Wind in August
1961 Master of the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.