A work in constant progress (and occasional regress).
Cinematography:
2014 Postcard
Colorist:
2011 Geisha Québec
2014 Postcard
Director:
2008 Montréal le lendemain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 The Incident
2014 Postcard
Editor:
2008 Montréal le lendemain
2009 Pas de pain pas de gain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 Score
2011 The Incident
2013 Finissant(e)s
2014 Postcard
2017 Sashinka
2021 Landgraves
2023 Bungalow
2023 Gamma Rays
2023 Virga
2025 Vile & Miserable
???? Fuck That
Producer:
2008 Montréal le lendemain
2009 Pas de pain pas de gain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 Score
2011 The Incident
2013 Finissant(e)s
2014 Postcard
2017 Sashinka
2021 Landgraves
2023 Bungalow
2023 Gamma Rays
2023 Virga
2025 Vile & Miserable
???? Fuck That
Screenplay:
2008 Montréal le lendemain
2009 Pas de pain pas de gain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 Score
2011 The Incident
2013 Finissant(e)s
2014 Postcard
2017 Sashinka
2021 Landgraves
2023 Bungalow
2023 Gamma Rays
2023 Virga
2025 Vile & Miserable
???? Fuck That
Sound:
2008 Montréal le lendemain
2009 Pas de pain pas de gain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 Score
2011 The Incident
2012 Déjà-vu
2013 Finissant(e)s
2014 Postcard
2017 Sashinka
2021 Landgraves
2023 Bungalow
2023 Gamma Rays
2023 Virga
2025 Vile & Miserable
???? Fuck That
Writer:
2008 Montréal le lendemain
2009 Pas de pain pas de gain
2010 La tanière
2011 Climax
2011 Geisha Québec
2011 Score
2011 The Incident
2012 Déjà-vu
2013 Finissant(e)s
2014 Postcard
2017 Sashinka
2021 Landgraves
2023 Bungalow
2023 Gamma Rays
2023 Virga
2025 Vile & Miserable
???? Fuck That
Editor:
2019 And Then, Amelie Left
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.