A work in constant progress (and occasional regress).
Alias:
吴基桓
오기환
Born:
January 1, 1967
OH majored in theatre and cinema at Hanyang University. Possessing an innate ability to recognize works that can find popularity and a strong command of his work, he has turned his first two films, his debut Last Present (2001) and 2005’s The Art of Seduction, into huge successes. He switched gears to direct the horror film Someone Behind You in 2007 and then took part in the omnibus feature Five Sense of Eros in 2009. He next took on his greatest challenge, by attempting to adapt his debut Last Present into A Wedding Invitation, a film made directly for the Chinese market. Using a mix of Korean and Chinese crew, the romantic film was a big hit on the mainland, proving a success story for CJ Entertainment, as they seek to gain in a foothold in the region. OH returned to Korea to work on his next film, Fashion King.
Director:
2001 Last Present
2005 The Art of Seduction
2007 Voices
2009 Five Senses of Eros
2013 A Wedding Invitation
2014 Fashion King
2020 Love Virtually
Producer:
2001 Last Present
2005 The Art of Seduction
2007 Voices
2009 Five Senses of Eros
2013 A Wedding Invitation
2014 Fashion King
2020 Love Virtually
Screenplay:
2001 Last Present
2005 The Art of Seduction
2007 Voices
2009 Five Senses of Eros
2013 A Wedding Invitation
2014 Fashion King
2020 Love Virtually
Writer:
2001 Last Present
2005 The Art of Seduction
2007 Voices
2009 Five Senses of Eros
2013 A Wedding Invitation
2014 Fashion King
2020 Love Virtually
Creator:
2021 How to Be Thirty
Director:
2020 SF8
2021 How to Be Thirty
???? i Shopping
Writer:
2020 SF8
2021 How to Be Thirty
???? i Shopping
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.