A work in constant progress (and occasional regress).
Alias:
Alizarine Ducolomb
Art Department Coordinator:
1996 Romeo + Juliet
2002 Collateral Damage
2008 Che: Part One
Art Department Manager:
1996 Romeo + Juliet
2002 Collateral Damage
2005 The Matador
2008 Che: Part One
Art Direction:
1996 Romeo + Juliet
2002 Collateral Damage
2005 The Matador
2008 Che: Part One
2012 A World for Raúl
2013 The Dance of Reality
2015 Epitaph
2016 Land of Nod
2017 Wind Traces
2020 5:03
???? Debt To The Dead
Costume Design:
1996 Romeo + Juliet
2002 Collateral Damage
2005 The Matador
2008 Che: Part One
2012 A World for Raúl
2013 The Dance of Reality
2015 Epitaph
2016 Land of Nod
2017 Wind Traces
2020 5:03
???? Debt To The Dead
Production Design:
1996 Romeo + Juliet
2002 Collateral Damage
2005 The Matador
2008 Che: Part One
2011 The Zebra
2012 A World for Raúl
2013 The Dance of Reality
2015 Epitaph
2016 Land of Nod
2016 The Darkness
2017 Wind Traces
2018 Two Fridas
2019 Ready to Mingle
2020 5:03
2021 Honest Days
2022 In Broad Daylight: The Narvarte Case
2022 Octopus Skin
2024 Disappear Completely
???? Debt To The Dead
Set Decoration:
1996 Romeo + Juliet
2002 Collateral Damage
2005 The Matador
2006 The Citrillo's Turn
2008 Che: Part One
2011 The Zebra
2012 A World for Raúl
2013 The Dance of Reality
2015 Epitaph
2016 Land of Nod
2016 The Darkness
2017 Wind Traces
2018 Two Fridas
2019 Miss Bala
2019 Ready to Mingle
2020 5:03
2021 Honest Days
2022 In Broad Daylight: The Narvarte Case
2022 Octopus Skin
2024 Disappear Completely
???? Debt To The Dead
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.