A work in constant progress (and occasional regress).
Alias:
Law Ming-Yau
Luo Ming-You
Luo Mingyou
Ming-yau Law
Ming-you Luo
Mingyau Law
Mingyau Lo
Mingyou Luo
Ло Мин-ю
Ло Мин-яу
Мин-ю Ло
Мин-яу Ло
Минъю Ло
罗明佑
羅明佑
Birthplace:
Hong Kong, China
Director:
1935 National Customs
1935 Song of China
1937 Tears of a Mother
Producer:
1930 The Dream of the Ancient Capital
1930 Wild Flower
1931 A Spray of Plum Blossoms
1931 Love and Duty
1931 The Peach Girl
1931 Two Stars in the Milky Way
1932 Humane
1932 Spring in the South
1932 Struggling
1932 Volcanic Passions
1933 Daybreak
1933 Early Morning in the Big City
1933 Little Toys
1934 Queen of Sports
1934 Song of the Fishermen
1935 National Customs
1935 Song of China
1935 The Big Road
1936 Return to Nature
1937 Tears of a Mother
Production Supervisor:
1930 The Dream of the Ancient Capital
1930 Wild Flower
1931 A Spray of Plum Blossoms
1931 Love and Duty
1931 The Peach Girl
1931 Two Stars in the Milky Way
1932 Humane
1932 Spring in the South
1932 Struggling
1932 Volcanic Passions
1932 Wild Rose
1933 Daybreak
1933 Early Morning in the Big City
1933 Little Toys
1934 Queen of Sports
1934 Song of the Fishermen
1934 The Goddess
1935 National Customs
1935 Song of China
1935 The Big Road
1936 Return to Nature
1937 Tears of a Mother
Writer:
1930 The Dream of the Ancient Capital
1930 Wild Flower
1931 A Spray of Plum Blossoms
1931 Love and Duty
1931 The Peach Girl
1931 Two Stars in the Milky Way
1932 Cry of the Cuckoo in the Temple
1932 Humane
1932 Spring in the South
1932 Struggling
1932 Volcanic Passions
1932 Wild Rose
1933 Daybreak
1933 Early Morning in the Big City
1933 Little Toys
1934 Queen of Sports
1934 Song of the Fishermen
1934 The Goddess
1935 National Customs
1935 Song of China
1935 The Big Road
1936 Return to Nature
1937 Tears of a Mother
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.