A work in constant progress (and occasional regress).
Alias:
RAGE
Birthplace:
Boston, Massachusetts, USA
Born:
August 28, 1968
From Wikipedia, the free encyclopedia. Dale Anthony Resteghini (born Boston, Massachusetts on 28 August 1968) better known as Rage is a renowned music video director. He is also a film director and music producer. Rage has helmed hundreds of videos for well-known acts from the global superstars to the emerging acts to the niche branded and as alover of music he embraces all of them and sees each venture as a challenge and an experience. A visually prolific and explosively versatile director, his work ranges from hardcore, heavy metal, rock, punk to hip hop and rapand gangsta rap. Rage is the founder of Raging Nation with Kim Resteghini, his wife and partner. Some of the biggest successful music videos Rage has helmed were for International anthems he has directed include "Grand Theft Autumn/Where Is Your Boy" by Fall Out Boy, "Crank That (Soulja Boy)" by Soulja Boy, "We Fly High" by Jim Jones, This Is Why I'm Hot by Mims. More recent stylized videos include Diddy and Dirty Money's video for "Love Come Down", The Game and Keyshia Cole's "Game's Pain" and Momhombi and Akon's "Dirty Situation". Dale Resteghini started as a model, an actor and a dancer in Boston and as young man had been arrested for various infractions with the law. Resteghini is currently represented for music videos and commercials around the world by several international reps. Description above from the Wikipedia article Dale Resteghini, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Associate Producer:
2014 My Man Is a Loser
Cinematography:
2000 Da Hip Hop Witch
2014 My Man Is a Loser
Creator:
2000 Da Hip Hop Witch
2014 My Man Is a Loser
2020 Cracka
Director:
1999 Colorz of Rage
2000 Da Hip Hop Witch
2002 Urban Massacre
2006 The System Within
2014 My Man Is a Loser
2020 Cracka
2022 Shady Grove
2025 Soul of A Sister
???? Urban Massacre 2: Blood Reign
Executive Producer:
1999 Colorz of Rage
2000 Da Hip Hop Witch
2002 Urban Massacre
2006 The System Within
2014 My Man Is a Loser
2020 Cracka
2022 Shady Grove
2023 Interior Hallway Night
2025 Soul of A Sister
???? Urban Massacre 2: Blood Reign
Music Supervisor:
1999 Colorz of Rage
2000 Da Hip Hop Witch
2002 Urban Massacre
2006 The System Within
2014 My Man Is a Loser
2020 Cracka
2022 Shady Grove
2023 Interior Hallway Night
2025 Soul of A Sister
???? Urban Massacre 2: Blood Reign
Producer:
1999 Colorz of Rage
2000 Da Hip Hop Witch
2002 Urban Massacre
2006 The System Within
2014 My Man Is a Loser
2020 Cracka
2022 Shady Grove
2023 Interior Hallway Night
2025 Soul of A Sister
???? Urban Massacre 2: Blood Reign
Writer:
1999 Colorz of Rage
2000 Da Hip Hop Witch
2002 Urban Massacre
2006 The System Within
2014 My Man Is a Loser
2020 Cracka
2022 Shady Grove
2023 Interior Hallway Night
2025 Soul of A Sister
???? Urban Massacre 2: Blood Reign
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.