A work in constant progress (and occasional regress).
Nick Higgins is an award-winning documentary filmmaker, academic and curator. He is the founder and programme leader of the Masters Filmmaking degree at the University of the West of Scotland where he is the Director of the Creative Media Academy and Professor in Screen Practice. His most recent documentary production, Colours of the Alphabet was translated into 30 languages and digitally released across Africa on the Afridocs platform. Previous productions include the BAFTA Scotland nominated mass participation documentary, We Are Northern Lights and the multi-director, The New Ten Commandments with contributions from Tilda Swinton, Marc Cousins and Irvine Welsh. His films have been broadcast on the BBC, STV, Al Jazeera, SVT (Sweden), YLE (Finland), ZDF (Germany, Austria, Switzerland), VPRO (the Netherlands) and have picked up awards at film festivals internationally. Over the last couple of years Nick has also produced several interactive documentaries on the uws.io web platform and in 2017 he directed and produced his first 360 virtual reality documentary. Since then Nick has co-curated the Virtual Reality programme at the Glasgow Short Film Festival (2017 & 2019) and was the executive producer on the KristallPalast interactive VR experience produced with the award-winning ISO digital design studio. Prior to joining UWS, Professor Higgins was a senior lecturer at the University of Edinburgh where founded the Trans-disciplinary Documentary Film Phd programme and the MA in Media, Culture and Practice. He is a regular contributor to BAFTA Scotland and Royal Television Society film and television juries and has previously been a member of the documentary jury at the Edinburgh International Film Festival. He sits on the Scottish Graduate School for Arts and Humanities executive and the Independent Producers Scotland board.
Director:
2008 The New Ten Commandments
2013 We Are Northern Lights
Director of Photography:
2008 The New Ten Commandments
2013 The Rein of Mary King
2013 We Are Northern Lights
Executive Producer:
2008 The New Ten Commandments
2013 The Rein of Mary King
2013 We Are Northern Lights
2019 Look Up
2019 Mister Swolo
2020 House of Light
2020 UFO
2021 Fight the Tower
2021 My Sunshine
2021 Veronique
2022 InsoMania
2023 And So It Was
2023 Salesmen
2023 Straight Girl
???? The Organist
Producer:
2008 The New Ten Commandments
2013 The Rein of Mary King
2013 We Are Northern Lights
2016 Colours of the Alphabet
2019 Look Up
2019 Mister Swolo
2020 House of Light
2020 UFO
2021 Fight the Tower
2021 My Sunshine
2021 Veronique
2022 InsoMania
2023 And So It Was
2023 Salesmen
2023 Straight Girl
???? The Organist
Thanks:
2008 The New Ten Commandments
2013 The Rein of Mary King
2013 We Are Northern Lights
2016 Colours of the Alphabet
2019 Look Up
2019 Mister Swolo
2020 House of Light
2020 UFO
2021 Fight the Tower
2021 My Sunshine
2021 Veronique
2022 InsoMania
2023 And So It Was
2023 Salesmen
2023 Straight Girl
2024 My Dad and the Volcano
???? The Organist
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.