Alison Chase (b. 1987)

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Birthplace:
Hartford, Connecticut, USA

Born:
April 15, 1987

Alison Chace is a bi-coastal, classically-trained American actress, voice-over talent, and entrepreneur based in NYC and LA. She has guest-starred in Netflix's sitcom "The Unbreakable Kimmy Schmidt," HBO's award-winning drama "Succession," Netflix's crime drama "Seven Seconds," CBS's long-running legal drama "Bull," CBS's fast-paced drama "FBI," NBC's revival of "Law and Order," HBO's "Pretty Little Liars/Original Sin," and Apple TV's new series "Dear Edward." Her recent guest-star role in the highly anticipated "The Gringo Hunters," produced by Imagine and Redrum marks another significant milestone in her career.  She frequently performs at The Barrow Group Theater, which she considers her creative home. During the pandemic, Alison helped birth an online theater ensemble that has performed over 300 play readings over Zoom each Sunday evening for the past three years. What began as a series of Zoom play readings during lock-down has evolved into LMC Productions, a thriving mini-production company. LMC Productions not only showcases Alison's dedication to her craft but also serves as a platform for emerging writers, providing opportunities for collaboration with a talented ensemble of over 60 actors and directors.  Alison was the popular co-host of the Morning, Noon and Night show on lifestyle network PlumTV, bringing energy and intimacy to interviews with a long line of celebrity icons. She earned a reputation as an on-air talent able to put celebrities entirely at ease, and form instant connections with people of all kinds.  An entrepreneur passionate about women's empowerment, Alison has created two online destinations centered on connecting women, WakeUpToABreakup. and PinkWisdom. Both are inspirational sources of validation and community for women seeking more fulfilling relationships. She's also launched comedy enterprise The Dinger, where she harnesses the power of humor, featuring work by up-and-coming comedic talent.  Alison frequently hosts creative salon parties at her New York City apartment. She has self-published two books, created the flirty and fun Pink Kisses app, launched an award-winning podcast, directed an award-winning global documentary, and co-founded three women's groups: Cafe Femmes, Hollywood Studio Club, and Neurotica Productions. She's the Chair of Tender Loving Care, a program delivering anonymous care packages to those experiencing loss. She loves live music and exploring spiritual growth. She's the mom of two sons in their 20s, Finn and Callum.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.