A work in constant progress (and occasional regress).
Birthplace:
London, England
Born:
January 26, 1938
From Wikipedia, the free encyclopedia. Henry Jaglom is a London-born American film director and playwright. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. His father was from a wealthy family from Russia and his mother was from Germany. They left for England because of the Nazi regime. Through his mother, he is a descendant of philosopher Moses Mendelssohn. Jaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s. Under contract to Columbia Pictures, Jaglom featured in such TV series as Gidget and The Flying Nun and acted in a number of films which included Boris Sagal's The Thousand Plane Raid (1969), Jack Nicholson's Drive, He Said (1971), Dennis Hopper's The Last Movie (1971), Orson Welles' never-completed The Other Side of the Wind and more. Jaglom's transition from acting in films to creating them was largely influenced by his experience watching the Italian film 8½ (1963). “The film changed my identity. I realized that what I wanted to do was make films. Not only that, but I realized what I wanted to make films about: my own life, to some extent.” Jaglom began his filmmaking career working with Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson and Welles. His next film, Tracks (1976), starred Hopper and was one of the earliest movies to explore the psychological cost on America of the Vietnam War. His third film, the first to be a commercial success, was Sitting Ducks (1980), a comic romp. Jaglom co-starred in four of his most personal films—Always, But Not Forever (1985), Someone to Love (1987) starring Orson Welles in his farewell film performance, New Year's Day (1989), which introduced David Duchovny, and Venice/Venice (1992) opposite French star Nelly Alard. In 1983, Jaglom taped lunch conversations with Orson Welles at Los Angeles's Ma Maison. Edited transcripts of these sessions appear in Peter Biskind's book My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles (2013). As a playwright, has written four plays that have been successfully performed on Los Angeles stages: The Waiting Room (1974), A Safe Place (2003), Always—But Not Forever (2007) and Just 45 Minutes from Broadway (2009/2010). Jaglom is the subject of the Henry Alex Rubin's and Jeremy Workman's documentary Who Is Henry Jaglom? (1997). Description above from the Wikipedia article Henry Jaglom, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Casting:
1995 Last Summer in the Hamptons
Director:
1971 A Safe Place
1976 Tracks
1980 Sitting Ducks
1982 National Lampoon's Movie Madness
1983 Can She Bake a Cherry Pie?
1985 Always … But Not Forever
1987 Someone to Love
1990 Eating
1990 New Year's Day
1992 Venice/Venice
1994 Babyfever
1995 Last Summer in the Hamptons
1998 Déjà Vu
2001 Festival in Cannes
2005 Going Shopping
2007 Hollywood Dreams
2009 Irene in Time
2010 Queen of the Lot
2012 Just 45 Minutes from Broadway
2014 The M Word
2016 Ovation
2017 Train to Zakopané
Editor:
1971 A Safe Place
1976 Tracks
1980 Sitting Ducks
1982 National Lampoon's Movie Madness
1983 Can She Bake a Cherry Pie?
1985 Always … But Not Forever
1987 Someone to Love
1990 Eating
1990 New Year's Day
1992 Venice/Venice
1994 Babyfever
1995 Last Summer in the Hamptons
1998 Déjà Vu
2001 Festival in Cannes
2005 Going Shopping
2007 Hollywood Dreams
2009 Irene in Time
2010 Queen of the Lot
2012 Just 45 Minutes from Broadway
2014 The M Word
2016 Ovation
2017 Train to Zakopané
Producer:
1971 A Safe Place
1976 Tracks
1980 Sitting Ducks
1982 National Lampoon's Movie Madness
1983 Can She Bake a Cherry Pie?
1985 Always … But Not Forever
1987 Someone to Love
1990 Eating
1990 New Year's Day
1992 Venice/Venice
1994 Babyfever
1995 Last Summer in the Hamptons
1998 Déjà Vu
2001 Festival in Cannes
2005 Going Shopping
2007 Hollywood Dreams
2009 Irene in Time
2010 Queen of the Lot
2012 Just 45 Minutes from Broadway
2014 The M Word
2016 Ovation
2017 Train to Zakopané
Screenplay:
1971 A Safe Place
1976 Tracks
1980 Sitting Ducks
1982 National Lampoon's Movie Madness
1983 Can She Bake a Cherry Pie?
1985 Always … But Not Forever
1987 Someone to Love
1990 Eating
1990 New Year's Day
1992 Venice/Venice
1994 Babyfever
1995 Last Summer in the Hamptons
1998 Déjà Vu
2001 Festival in Cannes
2005 Going Shopping
2007 Hollywood Dreams
2009 Irene in Time
2010 Queen of the Lot
2012 Just 45 Minutes from Broadway
2014 The M Word
2016 Ovation
2017 Train to Zakopané
Writer:
1971 A Safe Place
1976 Tracks
1980 Sitting Ducks
1982 National Lampoon's Movie Madness
1983 Can She Bake a Cherry Pie?
1985 Always … But Not Forever
1987 Someone to Love
1990 Eating
1990 New Year's Day
1992 Venice/Venice
1994 Babyfever
1995 Last Summer in the Hamptons
1998 Déjà Vu
2001 Festival in Cannes
2005 Going Shopping
2007 Hollywood Dreams
2009 Irene in Time
2010 Queen of the Lot
2012 Just 45 Minutes from Broadway
2014 The M Word
2016 Ovation
2017 Train to Zakopané
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.