A work in constant progress (and occasional regress).
Born:
January 1, 1850
Died:
January 1, 1929
Tsunekichi Shibata was one of Japan's first filmmakers. He worked for the photographer Shirō Asano and the Konishi Camera shop, the first in Japan to import a motion picture camera. Along with Kanzo Shirai, he took the earliest films in Japan, mostly of geisha, Ginza, and selections of scenes from popular plays. His first exhibition was at the Tokyo Kabuki-za in 1899. After that he focused mainly on Kabuki plays.
Camera Operator:
1898 Station du chemin de fer de Tokyo
1898 Une avenue à Tokyo
1898 Une rue à Tokyo, [II]
1900 Une place publique à Tokyo
Cinematography:
1898 Station du chemin de fer de Tokyo
1898 Une avenue à Tokyo
1898 Une rue à Tokyo, [II]
1899 Maple Leaf Viewing
1900 Une place publique à Tokyo
Color Designer:
1898 Station du chemin de fer de Tokyo
1898 Une avenue à Tokyo
1898 Une rue à Tokyo, [II]
1899 Maple Leaf Viewing
1900 Une place publique à Tokyo
1956 Bridge of Japan
Director:
1898 Station du chemin de fer de Tokyo
1898 Une avenue à Tokyo
1898 Une rue à Tokyo, [II]
1899 Maple Leaf Viewing
1899 Sadakichi Shimizu, the Armed Robber
1899 Two People at Dojo temple
1900 Une place publique à Tokyo
1956 Bridge of Japan
Lighting Technician:
1898 Station du chemin de fer de Tokyo
1898 Une avenue à Tokyo
1898 Une rue à Tokyo, [II]
1899 Maple Leaf Viewing
1899 Sadakichi Shimizu, the Armed Robber
1899 Two People at Dojo temple
1900 Une place publique à Tokyo
1956 Bridge of Japan
1960 Dare yori mo kimi o aisu
1966 The Great White Tower
1967 When the Cookie Crumbles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.