Ondřej Soukup (b. 1951)

Birthplace:
Prague, Czechoslovakia

Born:
May 2, 1951

Additional information:

The Search Form


Conductor:
1985  Druhý tah pěšcem
1987  Inseparable Five
1987  Outsider
1988  Currency and Peace
1989  Zvířata ve městě
1992  Requiem for a Maiden

First Assistant Director:
1985  Druhý tah pěšcem
1987  Inseparable Five
1987  Outsider
1988  Currency and Peace
1989  Zvířata ve městě
1992  Requiem for a Maiden
1994  Měsíční údolí

Music:
1985  Druhý tah pěšcem
1987  Inseparable Five
1987  Outsider
1988  Currency and Peace
1989  Zvířata ve městě
1990  Good Old Cuttlas
1992  Con cien cañones por banda
1992  Requiem for a Maiden
1994  Měsíční údolí
2001  Max, Sally and the Magic Phone
2002  Bride with big legs
2007  Empties
2012  Váňa
2013  Čtyřlístek ve službách krále
2014  Bony a klid 2
2023  The Feather Fairy - Two Worlds

Original Music Composer:
1983  Hodina před ránem
1983  Takový talent
1985  Druhý tah pěšcem
1987  Inseparable Five
1987  Outsider
1988  Currency and Peace
1988  Ghosts of the Dormers
1988  Pravidla kruhu
1989  Cesta na jihozápad
1989  Myší kočičiny
1989  Slova, slova
1989  Zvířata ve městě
1990  Good Old Cuttlas
1990  Sedm bílých plášťů
1990  Ta naše písnička česká II
1992  Con cien cañones por banda
1992  Requiem for a Maiden
1993  Nahota na prodej
1994  Accumulator 1
1994  Měsíční údolí
1995  Válka barev
1996  Kolya
1997  An Ambiguous Report About the End of the World
1997  The Firebird
1998  Queen of the Lake
2001  Dark Blue World
2001  Max, Sally and the Magic Phone
2002  Bride with big legs
2003  Johanka z Arku
2007  Empties
2010  Intimate Grammar
2012  Váňa
2013  Čtyřlístek ve službách krále
2014  Bony a klid 2
2016  The Devil's Mistress
2023  Léta s Jaromírem Hanzlíkem
2023  The Feather Fairy - Two Worlds

Music:
2017  Anča a Pepík

Music Score Producer:
1992  CUTTLAS MICROFILMS
2017  Anča a Pepík

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.