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Patricia Cardoso

Biography from TheMovieDB

Patricia Cardoso is a director, writer, and producer. Cardoso's feature film Real Women Have Curves was a box office and critical success and has become a landmark of Latino cinema.  Cardoso is a graduate of UCLA's film school, an anthropologist, and a Fulbright scholar; her anthropological approach to directing guides her film and television work. Cardoso was the first Hispanic woman director to receive a Sundance Audience Award and a Student Academy Award. In 2017, Cardoso was invited to join the Academy of Motion Pictures Arts and Sciences in the Directors Branch. In 2019, her film Real Women Have Curves was selected by the Library of Congress for inclusion in the National Film Registry "as a cinematic treasure and worthy of preservation as part of America’s patrimony".  Description above from the Wikipedia article Patricia Cardoso, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Film Performances

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Film Production

Director:
1994  The Water Carrier
2002  Real Women Have Curves
2010  Lies in Plain Sight
2011  Deep Blue Breath
2013  Meddling Mom
2017  Teresa's Trip
????  The Air Globes

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TV Production

Director:
2016  Queen Sugar
2019  All Rise
2019  Emergence
2019  Tales of the City
2020  Diary of a Future President
2023  Harlan Coben's Shelter
2023  Will Trent

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.