A work in constant progress (and occasional regress).
Birthplace:
San Fernando, Colchagua, Chile
Born:
May 13, 1893
Died:
March 20, 1972
From Wikipedia Pedro Sienna (13 May 1893—20 March 1972) was a Chilean playwright, poet, journalist, art critic and theatre and movie actor who is also remembered as one of his country's pioneering directors in the early years of silent film. A native of San Fernando, Pedro Pérez Cordero used the professional nom de plume Pedro Sienna. He briefly studied at the Liceo Neandro Schilling at his birthplace, and completed his secondary studies at the Instituto Nacional General José Miguel Carrera in Santiago. He began his association with film by directing and starring in El Hombre de acero (1917) and Los Payasos se van (1921). In 1925, he wrote, directed and starred in the film considered a classic of Chilean silent cinema, El Húsar de la muerte (The Death Hussar). As a highly respected author, he wrote Huecas en la Sombra, La Caverna de los Murciélagos, Recuerdos del Soldado Desconocido, Memorias de la Vida del Teatro and the biographical La vida pintoresca de Arturo Bührle. On 27 December 1966, at the age of 73, Pedro Sienna was awarded the country's national art prize, Premio Nacional de Arte de Chile. He died in Santiago on 20th March 1972. He was 78.
Adaptation:
1921 Los Payasos se van
Director:
1917 El Hombre de Acero
1921 Los Payasos se van
1924 Un Grito en el Mar
1925 The Hussar of Death
Producer:
1917 El Hombre de Acero
1921 Los Payasos se van
1924 Un Grito en el Mar
1925 The Hussar of Death
Screenplay:
1917 El Hombre de Acero
1921 Los Payasos se van
1924 Un Grito en el Mar
1925 The Hussar of Death
Writer:
1917 El Hombre de Acero
1921 Los Payasos se van
1924 Un Grito en el Mar
1925 The Hussar of Death
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.