A work in constant progress (and occasional regress).
Alias:
二村ヒトシ
Jin Futamura
二村仁
Birthplace:
Roppongi, Minato, Tokyo, Japan
Born:
November 27, 1964
Adult Video director. He ran the Panorama Kankidan theater company before directing "Roman X" titles for Nikkatsu in 1986 and further AV work.
Director:
1985 Hanjuku shōjo 1 Sawaki Shiori watashi “honban” yurushite ageru
1985 Hanjuku shōjo 2 inoue kana watashi “hōnyō” yurushite ageru
1985 Hanjuku shōjo 3 Sanada Mayumi watashi “hentai” yurushite ageru
1985 Hanjuku shōjo 4 katayama kei watashi “chikan reipu” yurushite ageru
1986 Hanjuku shojo
1986 Za honban: Moderuōdishon-hen
1986 Za shussan
1987 Inbi sutēshon Igarashi Yōko
1987 Kyokugen FUCK Sakita Aoi
1987 The Honban: OL saiyô shiken
1987 Za honban: Joyū ōdishon-hen
1987 Za pisuton: Reijō-hen
1988 Kawai Naho: Kaikan
1988 Kyokugen FUCK chōdai! Fuji akane
1988 Super Lewd Match: Aoi Sakita vs Rei Kazama
1988 Sūpādo inran matchi toyomaru supesharu
Editor:
1985 Hanjuku shōjo 1 Sawaki Shiori watashi “honban” yurushite ageru
1985 Hanjuku shōjo 2 inoue kana watashi “hōnyō” yurushite ageru
1985 Hanjuku shōjo 3 Sanada Mayumi watashi “hentai” yurushite ageru
1985 Hanjuku shōjo 4 katayama kei watashi “chikan reipu” yurushite ageru
1986 Hanjuku shojo
1986 Za honban: Moderuōdishon-hen
1986 Za shussan
1987 Inbi sutēshon Igarashi Yōko
1987 Kyokugen FUCK Sakita Aoi
1987 The Honban: OL saiyô shiken
1987 Za honban: Joyū ōdishon-hen
1987 Za pisuton: Reijō-hen
1988 Kawai Naho: Kaikan
1988 Kyokugen FUCK chōdai! Fuji akane
1988 Super Lewd Match: Aoi Sakita vs Rei Kazama
1988 Sūpādo inran matchi toyomaru supesharu
Producer:
1985 Hanjuku shōjo 1 Sawaki Shiori watashi “honban” yurushite ageru
1985 Hanjuku shōjo 2 inoue kana watashi “hōnyō” yurushite ageru
1985 Hanjuku shōjo 3 Sanada Mayumi watashi “hentai” yurushite ageru
1985 Hanjuku shōjo 4 katayama kei watashi “chikan reipu” yurushite ageru
1986 Hanjuku shojo
1986 Za honban: Moderuōdishon-hen
1986 Za shussan
1987 Inbi sutēshon Igarashi Yōko
1987 Kyokugen FUCK Sakita Aoi
1987 The Honban: OL saiyô shiken
1987 Za honban: Joyū ōdishon-hen
1987 Za pisuton: Reijō-hen
1988 Kawai Naho: Kaikan
1988 Kyokugen FUCK chōdai! Fuji akane
1988 Super Lewd Match: Aoi Sakita vs Rei Kazama
1988 Sūpādo inran matchi toyomaru supesharu
Screenplay:
1985 Hanjuku shōjo 1 Sawaki Shiori watashi “honban” yurushite ageru
1985 Hanjuku shōjo 2 inoue kana watashi “hōnyō” yurushite ageru
1985 Hanjuku shōjo 3 Sanada Mayumi watashi “hentai” yurushite ageru
1985 Hanjuku shōjo 4 katayama kei watashi “chikan reipu” yurushite ageru
1986 Hanjuku shojo
1986 Za honban: Moderuōdishon-hen
1986 Za shussan
1987 Inbi sutēshon Igarashi Yōko
1987 Kyokugen FUCK Sakita Aoi
1987 The Honban: OL saiyô shiken
1987 Za honban: Joyū ōdishon-hen
1987 Za pisuton: Reijō-hen
1988 Kawai Naho: Kaikan
1988 Kyokugen FUCK chōdai! Fuji akane
1988 Super Lewd Match: Aoi Sakita vs Rei Kazama
1988 Sūpādo inran matchi toyomaru supesharu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.