A work in constant progress (and occasional regress).
Alias:
Artavash Pelesjan
Artavazd Pelechian
Artavazd Pelešjan
Artawasd Peleschjan
Arthur Peleshyan
Артавазд Пелешян
Артур Пелешян
Birthplace:
Leninakan, Armenian SSR, USSR
Born:
February 22, 1938
Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).
Co-Director:
1974 Starlit Minute
Director:
1964 Mountain Vigil
1966 The Land of the People
1967 Beginning
1969 We
1970 Inhabitants
1974 Starlit Minute
1975 The Seasons
1983 Our Century
1984 God in Russia
1992 End
1994 Life
2019 Nature
Editor:
1964 Mountain Vigil
1966 The Land of the People
1967 Beginning
1969 We
1970 Inhabitants
1974 Starlit Minute
1975 The Seasons
1979 Siberiade
1983 Our Century
1984 God in Russia
1992 End
1994 Life
2019 Nature
Writer:
1964 Mountain Vigil
1966 The Land of the People
1967 Beginning
1969 We
1970 Inhabitants
1974 Starlit Minute
1975 The Seasons
1979 Siberiade
1983 Our Century
1984 God in Russia
1992 End
1994 Life
2019 Nature
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.