A work in constant progress (and occasional regress).
Alias:
Rege Cordic
Regis J. Cordic
Regis John Cordic
雷吉斯·科尔迪奇
Birthplace:
Hazelwood, Pennsylvania, USA
Born:
May 15, 1926
Died:
April 16, 1999
Cordic was born in the Hazelwood neighborhood of Pittsburgh and attended Central Catholic High School. He started in radio as a staff announcer and substitute sportscaster at WWSW-AM.[1] When morning host Davey Tyson left the station in 1948, Cordic was one of a number of staffers given the opportunity to replace him. At first a straightforward announcer, Cordic began introducing comedy to his program—first in subtle ways, such as reading a sports score for "East Overshoe University" along with the real scores, and later by adding a repertory company of supporting comic characters. The morning show, renamed Cordic & Company, became the most popular in Pittsburgh. In 1954, Cordic & Company moved to KDKA (AM) on Labor Day, one of the first times that an American radio station had hired a major personality directly from a local competitor. Popular Bette Smiley had decided to retire from her full-time KDKA wake-up show Radio Gift Shoppe of the Air and move to a Sunday-only condensed version on WCAE in August 1954 in order to raise her young son Robbie. Cordic's immediate predecessor in the morning slot was the Ed and Rainbow show, featuring Ed Schaughency with Elmer Waltman cast in the role of Rainbow, the janitor. Waltman was dropped, and Schaughency was moved to the afternoon with a show called Schaughency's Record Cabinet. Schaughency lasted less than two years in that role before he was replaced by Art Pallan, who also came over from WWSW. Schaughency took on a new role as a news reader and moved back to mornings, delivering the newscasts during Cordic & Company. The show's ratings continued to grow until, at some points, it had an 85 share—meaning that 85% of all radios in Pittsburgh were tuned to Cordic & Company while it was on. By the end of his tenure in Pittsburgh, Cordic was reportedly earning $100,000 a year, a huge sum for a radio host at the time.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.