A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Born:
December 4, 1966
Associate Producer:
2023 Tinnitus
Camera Operator:
1994 Eléctricos
2023 Tinnitus
Cinematography:
1994 Eléctricos
2022 Will-o’-the-Wisp
2023 Tinnitus
2024 Bury Your Dead
Director of Photography:
1989 Nunca Mais de Livras de Mim
1994 Eléctricos
1995 A. Palolo: Ver o Pensamento a Correr
1999 Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades
1999 Meanwhile
2000 Another Country
2000 Boris and Jeremiah
2000 Christmas Inventory
2000 Entraste no jogo, tens que jogar assim na terra como no céu
2000 O Fantasma
2001 Close
2003 A Morte do Cinema
2003 O Rapaz do Trapézio Voador
2003 Rádio Relâmpago
2004 Alexandre O’Neill - Tomai lá do O’Neill
2004 Andre Valente
2004 Conversas com Glícínia
2004 Maria e as Outras
2005 Adriana
2005 The Face You Deserve
2005 Two Drifters
2006 Canticle of All Creatures
2007 Carlos de Oliveira: Upon the Left Side
2007 China, China
2008 Fernando Lopes, Provavelmente
2008 From Now On
2008 O Tapete Voador
2008 Our Beloved Month of August
2008 Álvaro Lapa: A Literatura
2009 To Die Like a Man
2009 Two Women
2010 Tony
2012 A Vossa Casa
2012 As the Flames Rose
2012 Morning of Saint Anthony's Day
2012 Tabu
2014 The Bridges of Sarajevo
2016 Campo de Víboras
2016 Deserto
2016 The Ornithologist
2017 Al Berto
2017 Good Manners
2017 My Only Earth Is in the Moon
2017 Sandra Calling
2017 Severina
2017 Zama
2018 Hilda Hilst Pede Contato
2018 Introduzione all'oscuro
2018 Rust
2019 Frankie
2020 If I Were the Winter Itself
2022 A Little Love Package
2022 Alma Viva
2022 The Club of Angels
2022 Where Is This Street? or With No Before or After
2022 Will-o’-the-Wisp
2023 Amadeo
2023 Lovely, Dark, and Deep
2023 Tinnitus
2024 Bury Your Dead
2024 Grand Tour
???? Ciudad sin sueño
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.