A work in constant progress (and occasional regress).
Alias:
Kints Kintana
Kristine Kinatana
Assistant Director:
2021 Orphea
Assistant Production Manager:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2021 Orphea
Associate Producer:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2021 Orphea
Casting Coordinator:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2021 Drive My Car
2021 Orphea
Cinematography:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013 The Search for Weng Weng
2021 Drive My Car
2021 Orphea
Costume Design:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013 The Search for Weng Weng
2021 Drive My Car
2021 Orphea
Line Producer:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2017 Respect
2021 Drive My Car
2021 Orphea
Producer:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011 Illogical Patterns of a Logical Parallelism
2012 An Investigation on the Night That Won't Forget
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2017 Respect
2021 Drive My Car
2021 Orphea
Production Design:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011 Illogical Patterns of a Logical Parallelism
2012 An Investigation on the Night That Won't Forget
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2017 Respect
2018 Bamboo Dogs
2021 Drive My Car
2021 Orphea
Production Manager:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011 Illogical Patterns of a Logical Parallelism
2012 An Investigation on the Night That Won't Forget
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012 Florentina Hubaldo, CTE
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2016 A Lullaby to the Sorrowful Mystery
2016 The Woman Who Left
2017 Respect
2018 Bamboo Dogs
2021 Drive My Car
2021 Orphea
Sound:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011 Illogical Patterns of a Logical Parallelism
2012 An Investigation on the Night That Won't Forget
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012 Florentina Hubaldo, CTE
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2016 A Lullaby to the Sorrowful Mystery
2016 The Woman Who Left
2017 Respect
2018 Bamboo Dogs
2021 Drive My Car
2021 Orphea
Translator:
2010 Mondomanila, or: How I Fixed My Hair After a Rather Long Journey
2011 Illogical Patterns of a Logical Parallelism
2012 An Investigation on the Night That Won't Forget
2012 EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek
2012 Florentina Hubaldo, CTE
2013 Norte, The End of History
2013 The Search for Weng Weng
2015 The Last Pinoy Action King
2016 A Lullaby to the Sorrowful Mystery
2016 The Woman Who Left
2017 Respect
2018 Bamboo Dogs
2021 Drive My Car
2021 Orphea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.