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James Layton (b. 1977)

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Birthplace:
London, England, UK

Born:
January 11, 1977

Biography from TheMovieDB

James is a camera and steadicam operator represented by 'PrinceStone [gb]' in London. He is a member of the ACO (Association of Camera Operators) and the GBCT. James was trained in steadicam by Garrett Brown and is the son of Vernon Layton BSC. He is based in London and works on feature films, TV and commercials.

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Additional information:

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Film Performances

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Film Production

"A" Camera Operator:
2013  Scar Tissue

"B" Camera Operator:
2012  The Seasoning House
2013  Scar Tissue
2014  Good People
2020  Rebecca

Director of Photography:
2012  The Seasoning House
2013  Eternal Return
2013  Scar Tissue
2013  This Way Out
2014  Good People
2020  A Serial Killer's Guide to Life
2020  Rebecca

Steadicam Operator:
2012  The Devil's Dosh
2012  The Seasoning House
2013  Eternal Return
2013  Scar Tissue
2013  The Arbiter
2013  This Way Out
2014  Good People
2016  One More Time with Feeling
2017  Journey's End
2020  A Serial Killer's Guide to Life
2020  Rebecca

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TV Performances

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TV Production

Camera Operator:
2018  A Discovery of Witches

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.