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Cinematography:
1999  Autunno
2004  Too Short For Sky
2025  Oculus-Spei

Director of Photography:
1997  The Vesuvians
1999  Autunno
2002  Luparella
2003  I cinghiali di Portici
2004  The Scent of Blood
2004  The Three-Legged Fox
2004  Too Short For Sky
2005  The Remains of Nothing
2006  Quijote
2008  Fallen Heroes
2010  Weddings and Other Disasters
2011  Anche se è amore non si vede
2012  And They Call It Summer
2017  La Parrucchiera
2023  La divina cometa
2025  Io ti conosco
2025  Oculus-Spei

Still Photographer:
1992  Death of a Neapolitan Mathematician
1995  Troubling Love
1997  The Vesuvians
1999  Autunno
2002  Luparella
2003  I cinghiali di Portici
2004  The Scent of Blood
2004  The Three-Legged Fox
2004  Too Short For Sky
2005  The Remains of Nothing
2006  Quijote
2008  Fallen Heroes
2010  Weddings and Other Disasters
2011  Anche se è amore non si vede
2012  And They Call It Summer
2017  La Parrucchiera
2023  La divina cometa
2025  Io ti conosco
2025  Oculus-Spei

Writer:
1992  Death of a Neapolitan Mathematician
1995  Troubling Love
1997  The Vesuvians
1999  Autunno
2002  Luparella
2003  I cinghiali di Portici
2004  The Scent of Blood
2004  The Three-Legged Fox
2004  Too Short For Sky
2005  The Remains of Nothing
2006  Quijote
2008  Fallen Heroes
2010  Weddings and Other Disasters
2011  Anche se è amore non si vede
2012  And They Call It Summer
2017  La Parrucchiera
2023  La divina cometa
2025  Io ti conosco
2025  Oculus-Spei

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.