A work in constant progress (and occasional regress).
Birthplace:
Romania
Born:
July 9, 1936
Died:
November 2, 2022
After making the TV film “The Dowry” in her native Romania, Letitia Popa directed a remake for the big screen and made another two films for theatrical release: “Who Calls Me?” and “On the Mainstream.” Letitia has directed and written over forty TV films and two mini-series. She also directed theatre at the prestigious National Theatre in Bucharest. Letitia immigrated to the United States with her son Toader (Ted) Micu. She married and relocated to Los Angeles where she worked under the name of Letitia Popa Schwartz directing documentaries, theatre and films. She directed “The American Dream” by Edward Albee and the “Ghetto Cabaret” written by Joshua Sobol. The show was the “Critic’s Pick” (Backstage West), “Pick of the Week” (LA Weekly) and Critic’s Choice - Garland 2002. She received a local Cable Ace nomination for the documentary “H.O.M.E.,” a Gold Medal for Best Director at the Sofia Film Festival, and twice a Special Award at the Monte Carlo Film Festival. She wrote a screenplay, “An Offering of Oranges,” inspired by a true story, and she worked with Judith Vogelsang on a documentary titled “HUMBLE BEAUTY: Skid Row Artists,” about homeless artists in Los Angeles. The film received rave reviews. FilmThreat.com called the film a "first-rate, profound documentary," with "seamless, unobtrusive filmmaking."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.