A work in constant progress (and occasional regress).
Birthplace:
New Rochelle, New York, USA
Born:
February 11, 1908
Died:
June 2, 1992
Philip Ives Dunne (February 11, 1908 ā June 2, 1992) was an American screenwriter, film director and producer, who worked prolifically from 1932 until 1965. He spent the majority of his career at 20th Century Fox. He crafted well regarded romantic and historical dramas, usually adapted from another medium. Dunne was a leading Screen Writers Guild organizer and was politically active during the "Hollywood Blacklist" episode of the 1940sā1950s. He is best known for the films How Green Was My Valley (1941), The Ghost and Mrs. Muir (1947), The Robe (1953) and The Agony and the Ecstasy (1965).[1] Dunne received two Academy Award nominations for screenwriting: How Green Was My Valley (1941) and David and Bathsheba (1951). He also received a Golden Globe nomination for his 1965 screen adaptation of Irving Stone's novel The Agony and the Ecstasy, as well as several peer awards from the Writers Guild of America (WGA), including the Laurel Award for Screenwriting Achievement. Many notable directors worked with Dunne's screenplays, including Carol Reed, John Ford, Jacques Tourneur, Elia Kazan, Otto Preminger, Joseph L. Mankiewicz, and Michael Curtiz, among others.
Additional Writing:
1947 Kiss of Death
Director:
1947 Kiss of Death
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1966 Blindfold
Producer:
1947 Kiss of Death
1952 Way of a Gaucho
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1966 Blindfold
Screenplay:
1936 The Last of the Mohicans
1938 Suez
1939 Stanley and Livingstone
1939 Swanee River
1939 The Rains Came
1940 Johnny Apollo
1941 How Green Was My Valley
1942 Son of Fury: The Story of Benjamin Blake
1944 A Salute to France
1947 Kiss of Death
1947 The Ghost and Mrs. Muir
1948 The Luck of the Irish
1949 Pinky
1951 Anne of the Indies
1952 Way of a Gaucho
1953 The Robe
1954 Demetrius and the Gladiators
1954 The Egyptian
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1965 The Agony and the Ecstasy
1966 Blindfold
1992 The Last of the Mohicans
Screenstory:
1936 The Last of the Mohicans
1938 Suez
1939 Stanley and Livingstone
1939 Swanee River
1939 The Rains Came
1940 Johnny Apollo
1941 How Green Was My Valley
1942 Son of Fury: The Story of Benjamin Blake
1944 A Salute to France
1947 Kiss of Death
1947 The Ghost and Mrs. Muir
1948 The Luck of the Irish
1949 Pinky
1951 Anne of the Indies
1952 Way of a Gaucho
1953 The Robe
1954 Demetrius and the Gladiators
1954 The Egyptian
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1965 The Agony and the Ecstasy
1966 Blindfold
1992 The Last of the Mohicans
Story:
1936 The Last of the Mohicans
1937 Breezing Home
1938 Suez
1939 Stanley and Livingstone
1939 Swanee River
1939 The Rains Came
1940 Johnny Apollo
1941 How Green Was My Valley
1942 Son of Fury: The Story of Benjamin Blake
1944 A Salute to France
1947 Kiss of Death
1947 The Ghost and Mrs. Muir
1948 The Luck of the Irish
1949 Pinky
1951 Anne of the Indies
1952 Way of a Gaucho
1953 The Robe
1954 Demetrius and the Gladiators
1954 The Egyptian
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1965 The Agony and the Ecstasy
1966 Blindfold
1992 The Last of the Mohicans
Writer:
1934 Student Tour
1934 The Count of Monte Cristo
1936 The Last of the Mohicans
1937 Breezing Home
1937 Lancer Spy
1938 Suez
1939 Stanley and Livingstone
1939 Swanee River
1939 The Rains Came
1940 Johnny Apollo
1941 How Green Was My Valley
1942 Son of Fury: The Story of Benjamin Blake
1944 A Salute to France
1947 Forever Amber
1947 Kiss of Death
1947 The Ghost and Mrs. Muir
1947 The Late George Apley
1948 Escape
1948 The Luck of the Irish
1949 Pinky
1951 Anne of the Indies
1951 David and Bathsheba
1952 Lydia Bailey
1952 Way of a Gaucho
1953 The Robe
1954 Demetrius and the Gladiators
1954 The Egyptian
1955 Prince of Players
1955 The View from Pompey's Head
1956 Hilda Crane
1956 Three Brave Men
1958 In Love and War
1958 Ten North Frederick
1959 Blue Denim
1961 Wild in the Country
1962 The Inspector
1965 The Agony and the Ecstasy
1966 Blindfold
1992 The Last of the Mohicans
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.