Luís Vieira Campos (b. 1964)

Birthplace:
Porto, Portugal

Born:
January 1, 1964

Luís Vieira Campos was born in Porto in 1964. He graduated in Film and Video from ESAP - Escola Superior Artística do Porto in 1989 and was a trainee director for Manoel de Oliveira on the shoot for the film Divina Comédia. He worked for RTP - Radiotelevisão Portuguesa as an Image Control Operator and was a member of the staff of Socivídeo and Alfândega Filmes, where he produced and directed a wide range of promotional and institutional films. He has been a trainer in Audiovisual and Multimedia Production at the Escola das Artes - Universidade Católica Portuguesa, Alquimia da Côr and Instituto Multimédia, among others. He was Film Programmer at the Studio Room of the TCA - Teatro do Campo Alegre, in Porto. In 2008 he founded Filmes Liberdade.

Additional information:

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Director:
2000  aDeus
2006  Quando Eu Morrer
2011  Dia de Visita
2013  Bicicleta
2017  One Shoe
2018  Geni
2020  Memories

Editor:
2000  aDeus
2006  Quando Eu Morrer
2011  Dia de Visita
2013  Bicicleta
2017  One Shoe
2018  Geni
2020  Memories

Producer:
2000  aDeus
2006  Quando Eu Morrer
2011  Dia de Visita
2013  Bicicleta
2017  One Shoe
2018  Geni
2020  Memories

Screenplay:
2000  aDeus
2006  Quando Eu Morrer
2011  Dia de Visita
2013  Bicicleta
2017  One Shoe
2018  Geni
2020  Memories

Writer:
2000  aDeus
2006  Quando Eu Morrer
2011  Dia de Visita
2013  Bicicleta
2017  One Shoe
2018  Geni
2020  Memories

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.