A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Born:
January 1, 1964
Luís Vieira Campos was born in Porto in 1964. He graduated in Film and Video from ESAP - Escola Superior Artística do Porto in 1989 and was a trainee director for Manoel de Oliveira on the shoot for the film Divina Comédia. He worked for RTP - Radiotelevisão Portuguesa as an Image Control Operator and was a member of the staff of Socivídeo and Alfândega Filmes, where he produced and directed a wide range of promotional and institutional films. He has been a trainer in Audiovisual and Multimedia Production at the Escola das Artes - Universidade Católica Portuguesa, Alquimia da Côr and Instituto Multimédia, among others. He was Film Programmer at the Studio Room of the TCA - Teatro do Campo Alegre, in Porto. In 2008 he founded Filmes Liberdade.
Director:
2000 aDeus
2006 Quando Eu Morrer
2011 Dia de Visita
2013 Bicicleta
2017 One Shoe
2018 Geni
2020 Memories
Editor:
2000 aDeus
2006 Quando Eu Morrer
2011 Dia de Visita
2013 Bicicleta
2017 One Shoe
2018 Geni
2020 Memories
Producer:
2000 aDeus
2006 Quando Eu Morrer
2011 Dia de Visita
2013 Bicicleta
2017 One Shoe
2018 Geni
2020 Memories
Screenplay:
2000 aDeus
2006 Quando Eu Morrer
2011 Dia de Visita
2013 Bicicleta
2017 One Shoe
2018 Geni
2020 Memories
Writer:
2000 aDeus
2006 Quando Eu Morrer
2011 Dia de Visita
2013 Bicicleta
2017 One Shoe
2018 Geni
2020 Memories
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.