A work in constant progress (and occasional regress).
André Guiomar (1988) lives in Portugal. He worked for several film production companies and is a founding partner of Olhar de Ulisses. His debut documentary “Our Land, Our Altar” premiered at Sheffield Doc/Fest, won the Youth Jury Award at the ZINEBI Festival and the Emerging Director Award at the Porto/Post/Doc International Competition. In 2018, his short documentary “Skin of Light” won the Jury Prize at Doclisboa. He is currently working on his new documentary film “New Chung – The Strenght of a Bull” and on a short fiction film entitled “Saturn”. He also worked on cinematography and editing of films like “The Mother and the Sea” (2013) from Gonçalo Tocha (winner of the national DocLisboa award in 2014 and awarded with the best editing at Cineport) and the fiction film “Mabata Bata” (2017) by Sol de Carvalho, for which he received a distinction at the Ouagadougou Panafrican Film and Television Festival for best editing. At Olhar de Ulisses, he produced several of films with selections for festivals like Berlinale, Cairo IFF and Curtas Vila do Conde.
Assistant Director:
2024 Light Was a Break
Cinematography:
2018 Pele de Luz
2024 Light Was a Break
Director:
2011 Píton
2013 Torres
2018 Pele de Luz
2020 Our Land, Our Altar
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Light Was a Break
Director of Photography:
2011 Píton
2013 José Combustão dos Porcos
2013 Torres
2018 Pele de Luz
2020 Our Land, Our Altar
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Light Was a Break
Editor:
2011 Píton
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Light Was a Break
First Assistant Camera:
2011 Píton
2013 Bicicleta
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Light Was a Break
Producer:
2011 Píton
2013 Bicicleta
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 At Sixteen
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Production Manager:
2011 Píton
2013 Bicicleta
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 At Sixteen
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Screenplay:
2011 Píton
2013 Bicicleta
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 At Sixteen
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Writer:
2011 Píton
2013 Bicicleta
2013 José Combustão dos Porcos
2013 Torres
2014 Pena Fria
2018 Pele de Luz
2020 Our Kingdom
2020 Our Land, Our Altar
2021 Infinite Sea
2022 At Sixteen
2022 Saturn
2023 Director’s Factory: North Portugal
2023 Espinho
2024 Cul-de-sac
2024 God-and-a-Half
2024 Light Was a Break
2024 That's How I Love You
Director:
2019 2' Minutos para Mudar de Vida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.