A work in constant progress (and occasional regress).
Alias:
Олег Мавроматти
Birthplace:
Volgograd, USSR [now Russia]
Born:
February 5, 1965
Associate Producer:
2023 The Green Elephant 2: The Notorious generation
Camera Operator:
1998 NBP Dedicated
2008 Ultrafuturo Manifest
2023 The Green Elephant 2: The Notorious generation
Director:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 NBP Dedicated
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Director of Photography:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 NBP Dedicated
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Editor:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 NBP Dedicated
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Music:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 NBP Dedicated
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Producer:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 Cocky – The Running Doctor
1998 NBP Dedicated
1999 The Green Elephant
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Screenplay:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 Cocky – The Running Doctor
1998 NBP Dedicated
1999 The Green Elephant
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Writer:
1996 11 Letters Inside
1997 The Secret Aesthetics of the Martian Spies
1998 Cocky – The Running Doctor
1998 NBP Dedicated
1999 The Green Elephant
2000 Bastards
2001 The Biggest Meatball in the World
2005 The Rats Are Leaving the Shop
2008 Ultrafuturo Manifest
2009 Blind Spot
2015 No Place for Fools
2017 Monkey, Ostrich and Grave
2018 Semiconductor
2021 Pancake Machine
2023 The Green Elephant 2: The Notorious generation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.