A work in constant progress (and occasional regress).
Author:
2020 Waste no. 4 New York, New York
2021 Belgrade Forest Incident …and What Happened to Mr. K?
Cinematography:
2017 Waste no.5 The Raft of the Medusa
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
Director:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Director of Photography:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Editor:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Producer:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Script:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Writer:
2009 Ghosts
2011 60 Seconds of Solitude in Year Zero
2013 Two Islands
2016 Waste no.2. Wreck
2017 Waste No.1 Money
2017 Waste no.5 The Raft of the Medusa
2018 Waste no.3 Boom
2019 On the Art of Set Design
2020 Absolute Street
2020 Waste no. 4 New York, New York
2020 Waste no.6 How Great
2020 Waste vol. 1
2021 Belgrade Forest Incident …and What Happened to Mr. K?
2023 House of the Wickedest Man in the World
2023 Two Wars
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.