A work in constant progress (and occasional regress).
Associate Producer:
1935 The Phantom Light
1936 Hail and Farewell
1940 Ten Days in Paris
Executive Producer:
1935 The Phantom Light
1936 Hail and Farewell
1938 Dangerous Medicine
1939 A Gentleman's Gentleman
1940 Ten Days in Paris
Producer:
1928 A Knight in London
1930 Caste
1931 Rynox
1931 The Star Reporter
1931 Two Crowded Hours
1932 C.O.D.
1932 His Lordship
1932 Hotel Splendide
1932 My Friend the King
1933 Born Lucky
1934 Red Ensign
1934 The Fire Raisers
1934 The Night of the Party
1935 The Phantom Light
1936 Hail and Farewell
1938 Dangerous Medicine
1938 Everything Happens to Me
1938 The Return of Carol Deane
1938 They Drive by Night
1939 A Gentleman's Gentleman
1939 The Nursemaid Who Disappeared
1940 Ten Days in Paris
Screenplay:
1928 A Knight in London
1930 Caste
1931 Rynox
1931 The Star Reporter
1931 Two Crowded Hours
1932 C.O.D.
1932 His Lordship
1932 Hotel Splendide
1932 My Friend the King
1933 Born Lucky
1934 Red Ensign
1934 The Fire Raisers
1934 The Night of the Party
1935 The Phantom Light
1936 Hail and Farewell
1938 Dangerous Medicine
1938 Everything Happens to Me
1938 The Return of Carol Deane
1938 They Drive by Night
1939 A Gentleman's Gentleman
1939 The Nursemaid Who Disappeared
1940 Ten Days in Paris
Writer:
1928 A Knight in London
1930 Caste
1931 Rynox
1931 The Star Reporter
1931 Two Crowded Hours
1932 C.O.D.
1932 His Lordship
1932 Hotel Splendide
1932 My Friend the King
1933 Born Lucky
1934 Red Ensign
1934 The Fire Raisers
1934 The Night of the Party
1935 Heat Wave
1935 The Phantom Light
1936 Hail and Farewell
1938 Dangerous Medicine
1938 Everything Happens to Me
1938 The Return of Carol Deane
1938 They Drive by Night
1939 A Gentleman's Gentleman
1939 The Nursemaid Who Disappeared
1940 Ten Days in Paris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.