A work in constant progress (and occasional regress).
Alias:
Kote Miqaberidze
Birthplace:
Temryuk, Kuban
Born:
July 31, 1896
Died:
January 9, 1973
Film director, scriptwriter, actor, painter and dubbing director. From 1918, he worked as an actor at the Kutaisi and Batumi theaters, moving to Tbilisi drama studio in the 1920s. He started to act in films from 1921. His first screenplay RTVELI (The Harvest), based on Dziga Vertov’s “Kino-Eye” concept, was submitted to Tbilisi film studio in 1928, but was never produced. In 1929, he made a silent film CHEMI BEBIA (My Grandmother, 1929), satire on bureaucracy, which considered as a central to the Georgian avant-garde movement and was banned by the Soviet regime for 40 years (until 1976). Mikaberidze directed seven more films of various styles, forms and aesthetics, including a short documentary, a cartoon and several feature films. He was the first film director to adapt an episode of the 12th century Georgian epic Vepkhistqaosani (The Knight in the Panther’s Skin) that resulted in the 1936 film Kajeti. Mikaberidze’s film directing career ended in 1957, when he was sentenced to two years in prison for anti-Soviet activates/statements and criticism of the film administration. After his repression, he would never direct the films again, after his release from a labor camp, he worked as a dubbing director at the Tbilisi film studio, producing the Georgian language versions of up to 50 films per year.
Director:
1929 My Grandmother
1932 Hasani
1937 Kajeti
1940 Fiancé Who Was Too Late
1941 Outpost
Screenplay:
1929 My Grandmother
1932 Hasani
1937 Kajeti
1940 Fiancé Who Was Too Late
1941 Outpost
1955 Tsiskara
Writer:
1929 My Grandmother
1932 Hasani
1937 Kajeti
1940 Fiancé Who Was Too Late
1941 Outpost
1955 Tsiskara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.