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Sarah Voon

Biography from TheMovieDB

Sarah Voon is an award-winning, established New Zealand costume designer with many years of experience in the industry. Her impressive portfolio includes a #1 American box-office film, top-rated international and local dramas, and a host of TVCs, from big-budget productions to iconic Kiwi ads.  Sarah is well known for her calm and fastidious approach to her work, and those who work with her appreciate the lengths she consistently goes to in pursuit of the perfect creative costuming vision. She enjoys a collaborative design environment, making her a popular choice for directors and producers pursuing an original, inspired, and distinctive vision for their project.  Between costume projects, Sarah has written a period drama feature film script, numerous film reviews, and is currently writing a television drama series.  Information above via their homepage.

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Additional information:

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Film Production

Costume Design:
2013  Evil Dead
2016  Chasing Great
2019  Daffodils
2023  Evil Dead Rise
2025  Wolf Man

Costume Designer:
2013  Evil Dead
2016  Chasing Great
2019  Daffodils
2023  Evil Dead Rise
2023  Mighty Morphin Power Rangers: Once & Always
2025  Wolf Man

Wardrobe Designer:
2004  Together
2013  Evil Dead
2016  Chasing Great
2019  Daffodils
2023  Evil Dead Rise
2023  Mighty Morphin Power Rangers: Once & Always
2025  Wolf Man

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TV Production

Costume Design:
1993  Power Rangers

Costume Designer:
1993  Power Rangers

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.