John Dorr (1944-1993)

Birthplace:
Lancaster, Massachusetts

Born:
September 22, 1944

Died:
January 1, 1993

John Dorr (1944-1993), born in Massachusetts, first studied at Yale University (1962-1966), where he programmed the Film Society, created the Film Bulletin and completed a thesis on D.W. Griffith's last pictures. After moving to Los Angeles to study at UCLA (1966-1969), he shot his first shorts in 8mm and worked as a film critic for « Take One », « On Film », « Millimeter » or « The Hollywood Reporter », where he proved himself ruthless towards New Hollywood movies, hoping for another type of American cinema.  The 1970s were spent writing around a dozen screenplays (from 1971 to 1978 : a gay priest drama, a vampire romance, a two-screen revisionist western, a six-hour Griffith biopic...) which all remained unproduced. In one of his poems, Dorr judged the decade harshly : « The 70s Suck ». After a short stay in Massachusetts (1977-1978), Dorr returned to California. Then, using one his friends' consumer-level B&W video camera, he decided to shoot his first feature, no longer waiting for the traditional production route.  « Sudzall Does It All! » (1979) and its rapid follow-up, « The Case of the Missing Consciousness » (1980), were shown in a public screening at LAICA in March 1980. During the next two years, Dorr helped his friends with their own video projects, while completing his Dorothy Parker biopic, « Dorothy and Alan at Norma Place » (1982). All videos were shown under the « EZTV » banner in 1982, and a brick-and-mortar location, the « EZTV Video Gallery », was eventually opened in West Hollywood in 1983, with Dorr's fourth feature « Approaching Omega » (1983) and the ambition to offer a new production model for non-conventional artists in the 1980s.  For Dorr, the next decade was spent maintaining EZTV's fragile existence, working as cameraman, editor, sound engineer, producer, and sometimes actor, in other people's projects. He himself only directed a handful of short subjects, or codirected documentaries on literature, poetry and film. His last fiction project, « The Three Cassandras », was abandoned after a few days of shooting. Dorr learned he was HIV-positive in the Spring of 1991, and died from AIDS-related complications in Los Angeles on January 1st, 1993.

Additional information:

The Search Form


Camera Operator:
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Cinematography:
1982  Rimbaud in L.A.
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Director:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1987  Do It Yourself Video for Poets
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Director of Photography:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1987  Do It Yourself Video for Poets
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Editor:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1987  Do It Yourself Video for Poets
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Executive Producer:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Original Concept:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Producer:
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Script Consultant:
1974  It's Alive
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Thanks:
1974  It's Alive
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1984  Blonde Death
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

Writer:
1974  It's Alive
1979  Sudzall Does It All!
1980  The Case of the Missing Consciousness
1982  Dorothy and Alan at Norma Place
1982  Rimbaud in L.A.
1983  Approaching Omega
1984  Blonde Death
1986  Polly Perverse Strikes Again!
1987  Do It Yourself Video for Poets
1990  Dark Romances Vol. 1
1992  Season's Greetings
1993  Luck, Trust & Ketchup: Robert Altman in Carver Country

About the Movie Section

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.