A work in constant progress (and occasional regress).
Birthplace:
Lancaster, Massachusetts
Born:
September 22, 1944
Died:
January 1, 1993
John Dorr (1944-1993), born in Massachusetts, first studied at Yale University (1962-1966), where he programmed the Film Society, created the Film Bulletin and completed a thesis on D.W. Griffith's last pictures. After moving to Los Angeles to study at UCLA (1966-1969), he shot his first shorts in 8mm and worked as a film critic for « Take One », « On Film », « Millimeter » or « The Hollywood Reporter », where he proved himself ruthless towards New Hollywood movies, hoping for another type of American cinema. The 1970s were spent writing around a dozen screenplays (from 1971 to 1978 : a gay priest drama, a vampire romance, a two-screen revisionist western, a six-hour Griffith biopic...) which all remained unproduced. In one of his poems, Dorr judged the decade harshly : « The 70s Suck ». After a short stay in Massachusetts (1977-1978), Dorr returned to California. Then, using one his friends' consumer-level B&W video camera, he decided to shoot his first feature, no longer waiting for the traditional production route. « Sudzall Does It All! » (1979) and its rapid follow-up, « The Case of the Missing Consciousness » (1980), were shown in a public screening at LAICA in March 1980. During the next two years, Dorr helped his friends with their own video projects, while completing his Dorothy Parker biopic, « Dorothy and Alan at Norma Place » (1982). All videos were shown under the « EZTV » banner in 1982, and a brick-and-mortar location, the « EZTV Video Gallery », was eventually opened in West Hollywood in 1983, with Dorr's fourth feature « Approaching Omega » (1983) and the ambition to offer a new production model for non-conventional artists in the 1980s. For Dorr, the next decade was spent maintaining EZTV's fragile existence, working as cameraman, editor, sound engineer, producer, and sometimes actor, in other people's projects. He himself only directed a handful of short subjects, or codirected documentaries on literature, poetry and film. His last fiction project, « The Three Cassandras », was abandoned after a few days of shooting. Dorr learned he was HIV-positive in the Spring of 1991, and died from AIDS-related complications in Los Angeles on January 1st, 1993.
Camera Operator:
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Cinematography:
1982 Rimbaud in L.A.
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Director:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1987 Do It Yourself Video for Poets
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Director of Photography:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1987 Do It Yourself Video for Poets
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Editor:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1987 Do It Yourself Video for Poets
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Executive Producer:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Original Concept:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Producer:
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Script Consultant:
1974 It's Alive
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Thanks:
1974 It's Alive
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1984 Blonde Death
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Writer:
1974 It's Alive
1979 Sudzall Does It All!
1980 The Case of the Missing Consciousness
1982 Dorothy and Alan at Norma Place
1982 Rimbaud in L.A.
1983 Approaching Omega
1984 Blonde Death
1986 Polly Perverse Strikes Again!
1987 Do It Yourself Video for Poets
1990 Dark Romances Vol. 1
1992 Season's Greetings
1993 Luck, Trust & Ketchup: Robert Altman in Carver Country
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.