A work in constant progress (and occasional regress).
Birthplace:
United States of America
Born:
October 1, 1975
Kevin B. Lee (1975, USA) is a filmmaker, media artist, and critic. He has produced over 360 video essays exploring film and media. His award-winning "Transformers: The Premake" introduced the “desktop documentary” format, was named one of the best documentaries of 2014 by Sight & Sound and screened in many festivals including Berlin Critics Week, Rotterdam International Film Festival and Viennale International Film Festival. Through "Bottled Songs", his collaborative project with Chloé Galibert-Laîné, he was awarded the 2018 Sundance Institute Art of Nonfiction Grant, the 2018 European Media Artist Platform Residency, and the 2019 Eurimages Lab Project Award at Karlovy Vary International Film Festival. He was 2017 Artist in Residence of the Harun Farocki Institut in Berlin. In 2019 he produced “Learning Farocki”, a series of video essays on Harun Farocki, commissioned by the Goethe Institut. In 2020 he is co-curating the Black Lives Matter Video Essay Playlist with Will DiGravio and Cydnii Wilde Harris. He was Founding Editor and Chief Video Essayist at Fandor from 2011-2016, supervising producer at Roger Ebert Presents At the Movies, and has written for The New York Times, Sight & Sound, Slate and Indiewire. He is Professor of Crossmedia Publishing at Merz Akademie, Stuttgart.
Camera Operator:
2013 Jonathan Rosenbaum, Present
Director:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Director of Photography:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Editor:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Producer:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Production Design:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Sound Designer:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Thanks:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2019 Watching the Pain of Others
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Writer:
2013 Jonathan Rosenbaum, Present
2014 Out 1: Solitaire
2014 Transformers: The Premake
2014 What Makes a Video Essay Great?
2016 Right Now Then Wrong
2017 #movieofmylife
2017 Bottled Songs: The Spokesman
2017 Playing Cinema with Lori Felker
2017 What I Learned at the Harun Farocki Residency
2018 Bottled Songs 3 & 4
2018 Reading Binging Benning
2019 Re-enacting the Future
2019 Watching the Pain of Others
2020 Bottled Songs 1 & 2
2020 Bottled Songs: Looking Into the Flames
2020 Harun Farocki: Lexicon
2020 Harun Farocki: Presented
2020 Harun Farocki: The Counter-Image
2020 Once Upon a Screen, Explosive Paradox
2020 The Making of Transformers the Premake
2021 Bottled Songs 1-4
2021 Our Focus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.