A work in constant progress (and occasional regress).
Alias:
Viktor Fyodorovich Aristov
Виктор Аристов
Виктор Фёдорович Аристов
Birthplace:
Budyonnovka, Kirghiz SSR, USSR
Born:
June 9, 1943
Died:
January 2, 1994
Viktor Fyodorovich Aristov (Russian: Виктор Фёдорович Аристов; 9 June 1943 – 2 January 1994; Budyonnovka) was a Soviet film director and screenwriter. He directed five films between 1980 and 1994. His 1991 film Satan was entered into the 41st Berlin International Film Festival where it won the Silver Bear - Special Jury Prize. He was born on June 9, 1943 in the village of Budyonny of the Kyrgyz SSR. Prior to studying at the Institute, he worked as a stage driver at the Dzhambul Regional Drama Theater, a track worker at the tram and trolleybus department in Leningrad, a senior engineer at the A. Herzen Pedagogical Institute. In 1968, he graduated in absentia from the directing department of the Leningrad State Institute of Theater, Music and Cinematography (LGITMIK). As an assistant, he helped director Ilya Averbakh on the set of the film "Drama from Ancient Life", and as a second director he worked together with Alexey Herman, Sergei Mikaelyan, Joseph Heifitz. In addition, he starred in several films, including Kira Muratova in "Asthenic Syndrome" and "Learning the White World", Igor Maslennikov in "Sherlock Holmes and Dr. Watson. Bloody inscription", by Sergey Snezhkin in "The Non-Returnee". In 1978, based on the story of Vasily Shukshin, he directed the short film "Brothers-in-Law", which was released only in 1987. In 1979, he wrote the script for the film by Dinara Asanova "The Wife is Gone". Fame came to director Viktor Aristov after the release of the film "Gunpowder". This work was awarded the Main Prize of the Leningrad Young Cinema Festival in 1987. Interest was also aroused by the director's new picture — "It's Difficult for the first hundred years", and Viktor Aristov's next work, the psychological thriller "Satan", shot by him according to his own script, won the Silver Bear prize at the 1991 Berlin Film Festival. While working on the film "Rains in the Ocean", the director died, and the shooting of this picture was completed by Yuri Mamin. He was buried at the Komarovsky cemetery (Komarovo village, St. Petersburg).
Assistant Director:
1970 Stopwatch
1971 Drama from the Old Life
1974 Day of Admittance on Personal Matters
1976 Twenty Days Without War
1988 Love at First Sight
Director:
1970 Stopwatch
1971 Drama from the Old Life
1974 Day of Admittance on Personal Matters
1976 Twenty Days Without War
1980 A Twig in the Wind
1985 Gunpowder
1987 The In-Laws
1988 Love at First Sight
1988 The First 100 Years Are Hard
1991 Satan
1994 Rain in the Ocean
Screenplay:
1970 Stopwatch
1971 Drama from the Old Life
1974 Day of Admittance on Personal Matters
1976 Twenty Days Without War
1979 The Wife Has Left
1980 A Twig in the Wind
1985 Gunpowder
1987 The In-Laws
1988 Love at First Sight
1988 The First 100 Years Are Hard
1991 Satan
1994 Rain in the Ocean
Second Unit Director:
1970 Stopwatch
1971 Drama from the Old Life
1974 Day of Admittance on Personal Matters
1976 Twenty Days Without War
1978 Jump From the Roof
1979 Married for the First Time
1979 The Wife Has Left
1980 A Twig in the Wind
1985 Gunpowder
1985 My Friend Ivan Lapshin
1987 The In-Laws
1988 Love at First Sight
1988 The First 100 Years Are Hard
1991 Satan
1994 Rain in the Ocean
Writer:
1970 Stopwatch
1971 Drama from the Old Life
1974 Day of Admittance on Personal Matters
1976 Twenty Days Without War
1978 Jump From the Roof
1979 Married for the First Time
1979 The Wife Has Left
1980 A Twig in the Wind
1985 Gunpowder
1985 My Friend Ivan Lapshin
1987 The In-Laws
1988 Love at First Sight
1988 The First 100 Years Are Hard
1991 Satan
1994 Rain in the Ocean
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.