A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Born:
January 1, 1977
Pedro Pinho has lived in and studied cinema in Lisbon, Paris, Barcelona, Maputo and Mindelo. His first documentary, Bab Sebta (co-directed with Frederico Lobo), debuted at FID Marseille, 2008, where it won the Marseille Espérance Award. Bab Sebta also won prizes for Best Documentary Film at DocLisboa (Portugal) and at ForumDoc BH (Brazil). Um Fim Do Mundo/The End of the World, a medium-length fiction film, debuted at the Berlin Festival in 2013, having won awards at the Coimbra Caminhos do Cinema Português, and was nominated for the Portuguese Golden Globe awards. The documentary, As Cidades e as Trocas/Trading Cities (co-directed with Luisa Homem) debuted in 2014 at FID Marseille, and was shown at the Art of The Real in the Lincoln Center, NY and at DocLisboa. In 2017, he debuted A Fábrica de Nada/The Nothing Factory, his first feature-length fiction film, at the Cannes Festival Directors’ Fortnight where he won the FIPRESCI International Critics award. Since then, A Fábrica de Nada has received around 20 awards at festivals all over the world. Not only was it chosen by the critics as the best film at Cannes in 2017, it was also considered the best film of the year by the Público newspaper, and the best film without commercial distribution in the USA by the American magazine, Film Comment. The German newspaper, Die Zeit considered it to be “one of the most important films of today”. A Fábrica de Nada was commercially distributed in Portugal, France, Spain, Germany, Brazil, Switzerland, the United Kingdom, Italy, China, Belgium, the former Yugoslavia and Argentina. His films have been shown at festivals, showings and retrospectives in places such as: MoMA, the Lincoln Center, the Berlinale, BFI, the MALBA, the MACBA, Serralves, FIDMarseille, Toronto IFF, Rotterdam FF, CPH DOX, the Rio Festival, Mar del Plata, Festival de Popoli, Busan FF, FICUNAM, ND/NF, Cine Europeu de Sevilha. L’Alternativa de Barcelona, Festival de Munique, Festival de Taipé, Janela, Carbonia, Lussas, FIC Valdivia, Karlovy Vary, FoR, among others. In 2009, with five fellow filmmakers, he founded Terratreme, a collective that in recent years has come to the forefront as one of the most active producers of Portuguese cinema. At Terratreme, he has had the chance to collaborate with other directors such as Luisa Homem, Leonor Noivo, Tiago Hespanha, Susana Nobre, João Salaviza, Filipa Reis and Miller Guerra, and Basil da Cunha.
Cinematography:
2003 A Imitação
Director:
2003 A Imitação
2008 The Door of Ceuta
2013 The End Of The World
2014 Trading Cities
2017 Cidade
2017 The Nothing Factory
???? Tomorrow Will Be Another Day
Director of Photography:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 La chambre jaune
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2017 Cidade
2017 The Nothing Factory
2019 Black Sun
???? Tomorrow Will Be Another Day
Editor:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 La chambre jaune
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2017 Cidade
2017 The Nothing Factory
2019 Black Sun
???? Tomorrow Will Be Another Day
Producer:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 La chambre jaune
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2016 Ama-San
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Djon Africa
2019 Ave Rara
2019 Black Sun
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2022 Nameless Heitor
2023 The Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
???? Tomorrow Will Be Another Day
Screenplay:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 Cat's Cradle
2012 La chambre jaune
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2016 Ama-San
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Djon Africa
2019 Ave Rara
2019 Black Sun
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2022 Nameless Heitor
2023 The Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
???? Tomorrow Will Be Another Day
Sound:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 Cat's Cradle
2012 La chambre jaune
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2016 Ama-San
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Djon Africa
2019 Ave Rara
2019 Black Sun
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2022 Nameless Heitor
2023 The Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
???? Tomorrow Will Be Another Day
Writer:
2002 6 Minutos
2003 A Imitação
2008 The Door of Ceuta
2010 Lisbon-Province
2012 Cat's Cradle
2012 La chambre jaune
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 Idle Road
2014 Trading Cities
2016 Ama-San
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Djon Africa
2019 Ave Rara
2019 Black Sun
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2022 Nameless Heitor
2023 The Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
???? Tomorrow Will Be Another Day
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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