A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, USA
Born:
September 16, 1885
Died:
May 25, 1940
American author, screenwriter, and playwright.
Additional Dialogue:
1935 Private Worlds
Dialogue:
1929 Dynamite
1934 The Countess of Monte Cristo
1935 Private Worlds
Screenplay:
1927 The Heart Thief
1929 Dynamite
1932 Wayward
1934 Coming Out Party
1934 Embarrassing Moments
1934 Great Expectations
1934 The Countess of Monte Cristo
1935 Alias Mary Dow
1935 Private Worlds
1935 Sylvia Scarlett
1935 The Mystery of Edwin Drood
1937 Daughter of Shanghai
1937 Partners in Crime
Story:
1927 The Heart Thief
1929 Dynamite
1932 Wayward
1934 Coming Out Party
1934 Embarrassing Moments
1934 Great Expectations
1934 The Countess of Monte Cristo
1935 Alias Mary Dow
1935 Private Worlds
1935 Sylvia Scarlett
1935 The Mystery of Edwin Drood
1937 Daughter of Shanghai
1937 Partners in Crime
Theatre Play:
1924 The Goldfish
1927 The Heart Thief
1927 Two Girls Wanted
1929 Dynamite
1932 Wayward
1934 Coming Out Party
1934 Embarrassing Moments
1934 Great Expectations
1934 The Countess of Monte Cristo
1935 Alias Mary Dow
1935 Private Worlds
1935 Sylvia Scarlett
1935 The Mystery of Edwin Drood
1937 Daughter of Shanghai
1937 Partners in Crime
Writer:
1924 The Goldfish
1927 Breakfast at Sunrise
1927 The Heart Thief
1927 Two Girls Wanted
1929 Dynamite
1929 Marianne
1930 Madam Satan
1931 Many a Slip
1932 Wayward
1934 Cheating Cheaters
1934 Coming Out Party
1934 Embarrassing Moments
1934 Glamour
1934 Great Expectations
1934 Romance in the Rain
1934 Strange Wives
1934 The Countess of Monte Cristo
1935 Alias Mary Dow
1935 Private Worlds
1935 Rendezvous at Midnight
1935 Sylvia Scarlett
1935 The Mystery of Edwin Drood
1937 Daughter of Shanghai
1937 Night of Mystery
1937 Partners in Crime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.