A work in constant progress (and occasional regress).
Alias:
Laurent Chevalier
Birthplace:
Grenoble, France
Born:
June 6, 1955
Laurent Chevallier was born on June 6, 1955. Originally from the Grenoble region, he is a very experienced skier and mountaineer. His film studies in Paris were oriented from the start towards documentaries, since he wrote a memoir on the "father" of documentary film, Robert Flaherty (1884-1951, author of "Nanouk L'Esquimau" in 1919-1922, and "L'Homme D'Aran" in 1932-34), and on Joris Ivens (1898-1989, who shot his last film, "Une Histoire De Vent", in China at the age of 90 with the presence by Laurent Chevallier on camera), both absolute models of all the great documentary filmmakers. After his studies, he was assistant cameraman or director of photography for many films (with Jean-Jacques Beineix, Jacques Rouffio, René Allio, Gérard Mordillat, Patrice Leconte, Ilmaz G'fcney, Gérard Oury). from 1979, he made numerous documentaries (26 and 52 minutes) for television in France, Cape Horn, the Himalayas, the North Pole, Patagonia, Thailand, Italy, Ireland, Pakistan, in China, Canada, USA, Australia, Uganda, Guinea. To his credit in particular "La Voie Express" one of the first films on free climbing featuring the climber Patrick Berhault, and the trilogy on "Little Karim" the Pakistani mountain carrier that he will follow over 20 years in three parts. "Au Sud Du Sud" is his first feature film. It traces the incredible crossing of Antarctica by six men from the USA, Japan, China, USSR, Great Britain and France (Doctor Jean-Louis Etienne is at the origin of this expedition) . About this film Jean-Louis Etienne spoke about the dangers of the documentary by affirming: “Nothing of such with Laurent, because I know that I will be able to control the images and the recorded words. It's not about '85 control, it's because there is friendship, trust. This extreme adventure was filmed in stages. Laurent Chevallier was attentive of course to the fabulous landscapes crossed, but also to human relations during these seven months of expedition. He very scrupulously rendered the very particular rhythm of this trip and his feat was also to show the monotony without ever being boring. "Djembefola" is his first Guinean feature film, shot a few years before "L'Enfant Noir". "Djembefola" was covered with prizes in France and abroad (Grand Prix of the Amiens Festival, Best Documentary in San Francisco). "The Black Child" was selected for the Quinzaine des Réalisateurs at the Cannes Film Festival in 1995. In 2001 he returned to Africa where he recounted, under the title Circus Baobab, the expedition of a circus troupe from South of France through Guinea. Then followed during his career many committed films constantly questioning the world in which we live such as La Vie sans Brahim (2003), "Aimé Césaire, a fundamental negro" (2008), "Faut-il be afraid d 'Amazon?' (2018) ...
Author:
1980 Nanga Parbat 80, La revanche de futur
Camera Operator:
1980 Nanga Parbat 80, La revanche de futur
1989 A Tale of the Wind
Cinematography:
1979 Voie Express
1980 Nanga Parbat 80, La revanche de futur
1981 Dévers
1985 Christophe
1987 Trilogy for One Man
1989 A Tale of the Wind
1991 Djembefola
1992 Au Sud du Sud
1995 Music for the Movies: The Hollywood Sound
2003 La Vie sans Brahim
Delegated Producer:
1979 Voie Express
1980 Nanga Parbat 80, La revanche de futur
1981 Dévers
1985 Christophe
1987 Trilogy for One Man
1989 A Tale of the Wind
1991 Djembefola
1992 Au Sud du Sud
1995 Music for the Movies: The Hollywood Sound
2003 La Vie sans Brahim
Director:
1979 Voie Express
1980 Nanga Parbat 80, La revanche de futur
1981 Dévers
1983 The Backstage Wall
1985 Christophe
1985 Little Karim
1986 La Lumière du Rocher
1987 Trilogy for One Man
1989 A Tale of the Wind
1991 Djembefola
1992 Au Sud du Sud
1995 Music for the Movies: The Hollywood Sound
1995 The African Child
1997 Le Cri du Caméléon
1997 Mister Karim
1998 Mögöbalu, Les Maîtres des Tambours d'Afrique
2001 Circus Baobab
2003 La Vie sans Brahim
2007 Aimé Césaire, un Nègre fondamental
2007 Momo le doyen
2009 Expérience africaine
2009 La pépinière du désert
2012 Apö Karim, Ambassadeur de l'Himalaya
2014 La Trace de Kandia
2015 Pour de vrai, pour de faux
2018 Faut-il avoir peur d'Amazon ?
2023 Fin de vie : pour que tu aies le choix
2023 More Courage than Ever
Sound:
1979 Voie Express
1980 Nanga Parbat 80, La revanche de futur
1981 Dévers
1983 The Backstage Wall
1985 Christophe
1985 Little Karim
1986 La Lumière du Rocher
1987 Trilogy for One Man
1989 A Tale of the Wind
1991 Djembefola
1992 Au Sud du Sud
1995 Music for the Movies: The Hollywood Sound
1995 The African Child
1997 Le Cri du Caméléon
1997 Mister Karim
1998 Mögöbalu, Les Maîtres des Tambours d'Afrique
2001 Circus Baobab
2003 La Vie sans Brahim
2007 Aimé Césaire, un Nègre fondamental
2007 Momo le doyen
2009 Expérience africaine
2009 La pépinière du désert
2012 Apö Karim, Ambassadeur de l'Himalaya
2014 La Trace de Kandia
2015 Pour de vrai, pour de faux
2018 Faut-il avoir peur d'Amazon ?
2023 Fin de vie : pour que tu aies le choix
2023 More Courage than Ever
Writer:
1979 Voie Express
1980 Nanga Parbat 80, La revanche de futur
1981 Dévers
1983 The Backstage Wall
1985 Christophe
1985 Little Karim
1986 La Lumière du Rocher
1987 Trilogy for One Man
1989 A Tale of the Wind
1991 Djembefola
1992 Au Sud du Sud
1995 Music for the Movies: The Hollywood Sound
1995 The African Child
1997 Le Cri du Caméléon
1997 Mister Karim
1998 Mögöbalu, Les Maîtres des Tambours d'Afrique
2001 Circus Baobab
2003 La Vie sans Brahim
2007 Aimé Césaire, un Nègre fondamental
2007 Momo le doyen
2009 Expérience africaine
2009 La pépinière du désert
2012 Apö Karim, Ambassadeur de l'Himalaya
2014 La Trace de Kandia
2015 Pour de vrai, pour de faux
2018 Faut-il avoir peur d'Amazon ?
2023 Fin de vie : pour que tu aies le choix
2023 More Courage than Ever
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.