A work in constant progress (and occasional regress).
Alias:
Douglas Campbell Thomson
Supertramp
Birthplace:
Glasgow, Scotland, UK
Born:
March 24, 1951
Douglas 'Doogie' Campbell Thomson (born 24 March 1951) is a Scottish musician, born in Glasgow and raised in the Rutherglen area of the city. He was the bass guitarist of progressive rock band Supertramp during much of the seventies and eighties. Thomson's musical career began in August 1969, when he joined a local Glaswegian band "The Beings". In September 1971 he joined The Alan Bown Set where he briefly worked with future Supertramp colleague, John Helliwell. In February 1972, Thomson auditioned for Supertramp, and ended up playing several gigs as a temporary stand-in. In 1973, Thomson permanently joined Supertramp and helped in the business management with Dave Margereson; he also persuaded John Helliwell to join the band. Thomson played with Supertramp on all of their most famous albums: Crime of the Century, Crisis? What Crisis?, Even in the Quietest Moments, Breakfast in America, Paris, ...Famous Last Words..., Brother Where You Bound and Free as a Bird. On the back cover of Breakfast in America was a photograph showing Thomson reading the Glasgow Herald. Thomson was a member of Supertramp until the band went on hiatus in 1988; he has not returned to the band since. Dougie Thomson played a Music Man StingRay, a Rickenbacker 4001 and a Fender Jazz Bass during his time with Supertramp. He has since become a publisher in the music business, creating Trinity Publishing, and worked with a Chicago, Illinois management company. Thomson has four children, Laura, James, Kyle and Emma. Kyle Thomson played one game of football for the Scottish team Greenock Morton in 2018. Thomson is the older brother of Ali Thomson. Source: Article "Dougie Thomson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Songs:
1985 Brother Where You Bound
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.