Michael Williams (b. 1987)

Birthplace:
West Point, Mississippi, USA

Born:
June 23, 1987

Michael Williams is an American filmmaker. Williams began his professional film career accumulating a multitude of credits ranging from assistant camera to director of photography for many independent short and feature-length films. His first feature-length film, OzLand, a post-apocalyptic adaptation of The Wonderful Wizard of Oz, was released in 2015. His second feature film, the horror/supernatural thriller The Atoning, was released in 2017.

Additional information:

The Search Form


Cinematography:
2016  Two Birds

Director:
2015  OzLand
2016  Two Birds
2017  The Atoning
2018  A Son Inherit

Director of Photography:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Editor:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Producer:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Production Design:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Sound Designer:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Sound Editor:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Sound Mixer:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Special Effects Supervisor:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

Writer:
2011  Zion
2015  OzLand
2016  Dead Saturday
2016  Two Birds
2017  Dreamscape
2017  The Atoning
2018  A Son Inherit
2019  Driven
2024  Don't Die
????  Io's Lament

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.