A work in constant progress (and occasional regress).
Birthplace:
Bouresse, Nouvelle-Aquitaine, France
Born:
May 2, 1931
Died:
February 25, 1990
Gérard Patris is a French film and television director born March 5, 1931 in Bouresse (Vienne) and died February 28, 1990 in Chailles (Loir-et-Cher) during a traffic accident. He was also responsible for a lithography workshop. After secondary studies in Poitiers, Gérard Patris enrolled in an art school in Paris. At the start of his professional career, he founded a lithography workshop in Paris. This job allowed him to meet many major post-war artists for the creation of prints such as Dubuffet, Pignon, Manessier, Sonderborg, Arman, Hayter, Hartung and Matta. Dado worked there for a while. Gérard Patris married several times, including his first marriage to Marie-Claire Schaeffer, daughter of the composer Pierre Schaeffer, often presented as the father of musique concrete. This meeting will allow him to participate, under the direction of Pierre Schaeffer, in the ORTF research department in creation relating to Sound/Text/Image relationships. Gérard Patris, with Gilbert Delcros, director of the La Chesnaie clinic, is the founder of “La Chesnaie Films”, a television production unit whose workshops were based in the carriages of the Chailles clinic. His various encounters with artists from the world of music, painting and sculpture formed the basis of his film work.
Director:
1960 Caustiques
1960 The Flight of Icarus
1963 Autoportrait
1964 Autoportrait Dubuffet
1965 The Great Rehearsals: Et expecto resurrectionem mortuorum
1966 The Great Rehearsals: Homage to Edgard Varèse
1966 The Great Rehearsals: Momente
1967 A Propos D'Un Crime
1967 The Great Rehearsals: When a Man Dedicates His Life to Music
1968 The Great Rehearsals: Cecil Taylor in Paris
1969 Arthur Rubinstein: The Love of Life
1972 Histoires naturelles : Max Ernst
???? The Great Rehearsals Collection
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.