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Joaquim Assis

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Film Performances

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Film Production

Director:
1973  Ó Xente, Pois Não

Editor:
1968  Edu, Coração de Ouro
1969  As Duas Faces da Moeda
1973  Ó Xente, Pois Não

Original Music Composer:
1968  Edu, Coração de Ouro
1969  As Duas Faces da Moeda
1973  Ó Xente, Pois Não
2005  Carreiras

Producer:
1968  Edu, Coração de Ouro
1969  As Duas Faces da Moeda
1973  Ó Xente, Pois Não
2005  Carreiras

Screenplay:
1968  Edu, Coração de Ouro
1969  As Duas Faces da Moeda
1972  Cassy Jones, O Magnífico Sedutor
1973  Ó Xente, Pois Não
2005  Carreiras
2005  Four for None
2016  The Ten Commandments: The Movie

Writer:
1968  Edu, Coração de Ouro
1969  As Duas Faces da Moeda
1970  É Simonal
1971  O Doce Esporte do Sexo
1972  Cassy Jones, O Magnífico Sedutor
1973  Ó Xente, Pois Não
1984  S.O.S. Sex-Shop
1998  For All - O Trampolim da Vitória
1998  The Call of the Oboe
2000  Villa-Lobos: A Life of Passion
2003  Apolônio Brasil, Campeão da Alegria
2005  Carreiras
2005  Four for None
2016  The Ten Commandments: The Movie

Click the heading above to show or hide the list.

TV Production

Creator:
1965  T.N.T.

Writer:
1965  T.N.T.
1985  Roque Santeiro
2006  Opposite Lives
2009  Law and Crime
2014  Plano Alto

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.