A work in constant progress (and occasional regress).
Birthplace:
Kota Kinabalu, Malaysia
Born:
January 1, 1972
CHRIS CHONG CHAN FUI is a filmmaker and artist who works between Southeast Asia and Canada. From digital and analog moving images to fabricated and organic objects, Chong works to reveal unfamiliar narratives. His work layers the social and natural sciences with transnational circuits of globalization and manufactured cultures and landscapes. With a rigorous research methodology and a formalist aesthetic, he uses structure and constraints as a creative path toward expressive innovation. Chong has exhibited at such venues as the Hirshhorn Museum & Sculpture Garden, Palais de Tokyo, EYE Film Institute Netherlands, and the Gwangju Biennale, while premiering films at the Cannes Film Festival's Directors’ Fortnight, BFI London, and TIFF’s Wavelengths, where he won back-to-back awards for Best Canadian Short Film. He is a Smithsonian Institute fellow (National Museum of Natural History), a Ford Foundation fellow, and a Rockefeller Foundation's Bellagio Arts Fellow. Chong holds an MFA (film) from York University and is the Assistant Professor (film) at Simon Fraser University’s School for the Contemporary Arts on the unceded territories of the Sḵwx̱wú7mesh Úxwumixw (Squamish), səl̓ilw̓ətaʔɬ (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations.
Cinematography:
2007 Pool
Director:
1998 Crash Skid Love
1999 Minus
2000 Music Might Have Deceived Us
2007 Pool
2008 Block B
2009 Karaoke
2019 Camera Trap
2023 PARADE PROTEST
Producer:
1998 Crash Skid Love
1999 Minus
2000 Music Might Have Deceived Us
2007 Pool
2008 Block B
2009 Karaoke
2019 Camera Trap
2023 PARADE PROTEST
Screenplay:
1998 Crash Skid Love
1999 Minus
2000 Music Might Have Deceived Us
2007 Pool
2008 Block B
2009 Karaoke
2019 Camera Trap
2023 PARADE PROTEST
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.