A work in constant progress (and occasional regress).
From Wikipedia, the free encyclopedia. Rafael Yglesias (born May 12, 1954, in New York City) is an American novelist and screenwriter. His parents were the novelists Jose Yglesias and Helen Yglesias. The blogger and journalist Matthew Yglesias is his older son; his younger son, Nicholas, is also a novelist and has applied to become a police cadet. Yglesias was born and raised in Manhattan's Washington Heights neighborhood, and now lives in Greenwich Village. He attended the Horace Mann School and the George Stevens Academy in Blue Hill, Maine, but dropped out three months into 10th grade to complete his first novel, Hide Fox, and All After. It was published by Doubleday in 1972. He later began writing screenplays; the first to be produced, Fearless, was an adaptation of his novel of the same title. Other films written by Yglesias were adaptations of works by Ariel Dorfman, Victor Hugo, and Alan Moore; his latest film, Dark Water, is a remake of a J-horror film of the same name. His ninth and most recent novel, A Happy Marriage, is a fictionalized account of his nearly thirty-year marriage to the artist Margaret Joskow who died of cancer in 2004. Description above from the Wikipedia article Rafael Yglesias, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Novel:
1993 Fearless
Screenplay:
1993 Fearless
1994 Death and the Maiden
1998 Les Misérables
2001 From Hell
2005 Dark Water
Story:
1990 Rising Son
1993 Fearless
1994 Death and the Maiden
1998 Les Misérables
2001 From Hell
2005 Dark Water
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.