A work in constant progress (and occasional regress).
Filmmaker, installation artist, activist and performer Wu Tsang produces artwork that addresses issues in the trans and LGBT community. Her work interrogates themes of gender identity, social spaces and the tension between film and art. In 2012, she produced the film Wildness, which focused on the weekly performance-art dance parties of the same name and featured vignettes of marginalised gay and trans communities. Says the artist, “For me performance is like research; lived experience is fundamental. I have to do these things to understand or have any critical analysis.” Tsang was featured in the 2012 Whitney Biennial and New Museum Triennial, and the 2014 edition of the Hammer Museum’s biennial exhibit “Made in L.A.”
Director:
2008 The Shape of a Right Statement
2012 Mishima in Mexico
2012 Wildness
2013 You're Dead to Me
2014 Miss Communication and Mr:Re
2015 Girl Talk
2016 Duilian
2017 We Hold Where Study
2019 Into a Space of Love
2021 Peculiar Contrast, Perfect Light
2022 MOBY DICK; or, The Whale
???? La Gran Mentira de la Muerte
???? one emerging from a point of view
Producer:
2008 The Shape of a Right Statement
2012 Mishima in Mexico
2012 Wildness
2013 You're Dead to Me
2014 Miss Communication and Mr:Re
2015 Girl Talk
2016 Duilian
2017 We Hold Where Study
2019 Into a Space of Love
2021 Peculiar Contrast, Perfect Light
2022 MOBY DICK; or, The Whale
???? La Gran Mentira de la Muerte
???? one emerging from a point of view
Screenplay:
2008 The Shape of a Right Statement
2012 Mishima in Mexico
2012 Wildness
2013 You're Dead to Me
2014 Miss Communication and Mr:Re
2015 Girl Talk
2016 Duilian
2017 We Hold Where Study
2019 Into a Space of Love
2021 Peculiar Contrast, Perfect Light
2022 MOBY DICK; or, The Whale
???? La Gran Mentira de la Muerte
???? one emerging from a point of view
Writer:
2008 The Shape of a Right Statement
2012 Mishima in Mexico
2012 Wildness
2013 You're Dead to Me
2014 Miss Communication and Mr:Re
2015 Girl Talk
2016 Duilian
2017 We Hold Where Study
2019 Into a Space of Love
2021 Peculiar Contrast, Perfect Light
2022 MOBY DICK; or, The Whale
???? La Gran Mentira de la Muerte
???? one emerging from a point of view
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.