Julian Biggs (1920-1972)

Gallery Unavailable

Birthplace:
Port Perry, Ontario, Canada

Born:
February 24, 1920

Died:
December 4, 1972

Julian Biggs (1920–1972) was a director and producer with the National Film Board of Canada and its first Director of English Production. Over the course of his 20-year career, he created 146 films, two of which (Herring Hunt (1953) and Paddle to the Sea (1966)) were nominated for Academy Awards. His film 23 Skidoo (1964) received two BAFTA nominations, including the BAFTA United Nations award.  Biggs was born and raised in Port Perry, in southern Ontario. When World War II broke out in 1939, he joined the Canadian Army and then transferred to the Canadian Navy, where he spent the rest of the war serving on mine-sweepers. He then attended the University of Toronto and, in 1951, was hired as a production assistant by the National Film Board of Canada. He directed his first film, The Son, a year later.  From 1956 to 1958, Biggs produced the Perspective series (paralleled by the similar series in French Passe-partout), which was 35 30-minute dramas with an emphasis on social themes such as alcoholism, drug addiction, adolescence, the elderly, racial problems etc. One such film, Monkey on the Back, directed by Biggs, was a bleak, tragic story of man's unsuccessful struggle to free himself from drug addiction. Similar to Robert Anderson's Drug Addict (1948), which had been banned in the U.S., it was the type of film that caused the NFB to reconsider its role in producing socially relevant films. There was an unwritten policy and priority to shift away from social realism to the 'art' of film.

Additional information:

The Search Form


Director:
1951  The Oyster-Man
1952  With the Canadians in Korea
1953  Herring Hunt
1954  Dresden Story
1958  Family of Ghana
1959  Lord Elgin: Voice of the People
1961  Joseph Howe: The Tribune of Nova Scotia
1962  Alexander Galt: The Stubborn Idealist
1963  Portrait of the Artist
1964  23 Skidoo
1970  A Little Fellow from Gambo: The Joey Smallwood Story

Editor:
1951  The Oyster-Man
1952  With the Canadians in Korea
1953  Herring Hunt
1954  Dresden Story
1958  Family of Ghana
1959  Lord Elgin: Voice of the People
1961  Joseph Howe: The Tribune of Nova Scotia
1962  Alexander Galt: The Stubborn Idealist
1963  Portrait of the Artist
1964  23 Skidoo
1970  A Little Fellow from Gambo: The Joey Smallwood Story

Producer:
1951  The Oyster-Man
1952  With the Canadians in Korea
1953  Herring Hunt
1954  Dresden Story
1956  Fighter Wing
1956  Sable Island
1957  Crossroads
1957  Encounter at Trinity
1957  Fires of Envy
1957  Howard
1957  The Barrier
1957  Wolfe and Montcalm
1958  Family of Ghana
1959  Lord Elgin: Voice of the People
1961  Joseph Howe: The Tribune of Nova Scotia
1961  Lord Durham
1961  Louis-Joseph Papineau: The Demi-God
1961  Robert Baldwin: A Matter Of Principle
1962  Alexander Galt: The Stubborn Idealist
1962  Georges-Étienne Cartier - The Lion of Québec
1963  Portrait of the Artist
1964  23 Skidoo
1964  Phoebe
1965  Buster Keaton Rides Again
1965  High Steel
1965  The Railrodder
1966  Notes for a Film About Donna & Gail
1966  Paddle to the Sea
1970  A Little Fellow from Gambo: The Joey Smallwood Story

Writer:
1951  The Oyster-Man
1952  With the Canadians in Korea
1953  Herring Hunt
1954  Dresden Story
1956  Fighter Wing
1956  Sable Island
1957  Crossroads
1957  Encounter at Trinity
1957  Fires of Envy
1957  Howard
1957  The Barrier
1957  Wolfe and Montcalm
1958  Family of Ghana
1959  Lord Elgin: Voice of the People
1961  Joseph Howe: The Tribune of Nova Scotia
1961  Lord Durham
1961  Louis-Joseph Papineau: The Demi-God
1961  Robert Baldwin: A Matter Of Principle
1962  Alexander Galt: The Stubborn Idealist
1962  Georges-Étienne Cartier - The Lion of Québec
1963  Portrait of the Artist
1964  23 Skidoo
1964  Phoebe
1965  Buster Keaton Rides Again
1965  High Steel
1965  The Railrodder
1966  Notes for a Film About Donna & Gail
1966  Paddle to the Sea
1970  A Little Fellow from Gambo: The Joey Smallwood Story

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.