A work in constant progress (and occasional regress).
Alias:
Zach Heinzerling
Birthplace:
Texas, USA
Born:
January 1, 1984
Zachary Heinzerling is a film director. Heinzerling and producer Lydia Dean Pilcher were nominated for an Academy Award for Best Documentary Feature for the 2013 film Cutie and the Boxer at the 2013 Academy Awards.
Additional Photography:
2022 Storming Caesars Palace
Cinematography:
2013 Cutie and the Boxer
2022 Storming Caesars Palace
Director:
2013 Beyoncé: Self-Titled
2013 Cutie and the Boxer
2015 Hugh the Hunter
2019 Jello
2022 Storming Caesars Palace
Director of Photography:
2013 Beyoncé: Self-Titled
2013 Cutie and the Boxer
2014 The Opposition
2015 Hugh the Hunter
2019 Jello
2022 Storming Caesars Palace
Executive Producer:
2013 Beyoncé: Self-Titled
2013 Cutie and the Boxer
2014 The Opposition
2015 Hugh the Hunter
2018 Owned: A Tale of Two Americas
2019 Jello
2022 Storming Caesars Palace
Producer:
2013 Beyoncé: Self-Titled
2013 Cutie and the Boxer
2014 The Opposition
2015 Hugh the Hunter
2018 Owned: A Tale of Two Americas
2019 Jello
2022 Storming Caesars Palace
Writer:
2013 Beyoncé: Self-Titled
2013 Cutie and the Boxer
2014 The Opposition
2015 Hugh the Hunter
2018 Owned: A Tale of Two Americas
2019 Jello
2022 Storming Caesars Palace
Director:
2013 Beyoncé: Self-Titled
2021 McCartney 3, 2, 1
2022 Black Gold
2023 Stolen Youth: Inside the Cult at Sarah Lawrence
Director of Photography:
2013 Beyoncé: Self-Titled
2021 McCartney 3, 2, 1
2022 Black Gold
2023 Stolen Youth: Inside the Cult at Sarah Lawrence
Executive Producer:
2013 Beyoncé: Self-Titled
2021 McCartney 3, 2, 1
2022 Black Gold
2023 Stolen Youth: Inside the Cult at Sarah Lawrence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.