A work in constant progress (and occasional regress).
Birthplace:
Kirkland, Washington, USA
Born:
August 9, 1983
Lana Wilson is an Emmy-winning and two-time Spirit Award-nominated writer and director. Transformative quests for meaning and humanity connect her diverse body of work across documentaries, short films, and episodic. Her most recent film, the Taylor Swift documentary Miss Americana (2020), was the opening night film of the 2020 Sundance Film Festival and is a Netflix Original. Miss Americana was a New York Times Critic's Pick, an IndieWire Critic's Pick, and was named one of the Five Best Documentaries of the Year by the National Board of Review. Wilson's previous feature film, The Departure (2017), about a punk-turned-priest in Japan, was critically acclaimed for being a poetic, profound, and moving exploration of what makes life worth living. The Departure premiered at the Tribeca Film Festival in 2017, played at festivals around the world, and was nominated for the Independent Spirit Award for Best Documentary. The Departure was called "A work of art" by the San Francisco Chronicle, "A genuinely spiritual experience" by the Washington Post, and "Tender and moving...like a haiku" by the New York Times. The film was acquired by FilmRise and theatrically released in 30 US cities, beginning with a held-over run at New York's Metrograph. The Departure has a rare 100% rating on Rotten Tomatoes, indicating "universal acclaim." Wilson's first film, After Tiller (2013), goes inside the lives of the four most-targeted abortion providers in the country, taking a powerful and complex look at one of the most incendiary issues of our time. After Tiller premiered at the Sundance Film Festival in 2013, and went on to win an Emmy Award for Best Documentary. It was also nominated for the Independent Spirit Award for Best Documentary, four Cinema Eye Honors, a Satellite Award, and the Ridenhour Prize. After Tiller was acquired by Oscilloscope and released in theaters in 50 US cities. The film was named one of the five best documentaries of the year by the National Board of Review, and featured in "Best of 2013" lists in the LA Times, Village Voice, Indiewire, Artforum, and more. Flavorwire named it one of the "50 Best Documentaries of All Time." Wilson also works in episodic and short-form filmmaking. She created and directed A Cure for Fear (2018), a short-form series about a groundbreaking scientist that played at SXSW and was nominated for the 2019 International Documentary Association Award for Best Short-Form Series. Wilson has been awarded artist fellowships from the Sundance Institute, MacDowell, Yaddo, and Film Independent, and was named to DOC NYC's inaugural "40 Under 40" list. She is a recipient of the 2019 Chicken & Egg Award. Wilson has given talks at a range of contemporary art and film institutions, and has been a featured guest on NPR, MSNBC, WNYC, Huffington Post Live, Democracy Now, and many other programs. She is a member of the Academy of Motion Picture Arts and Sciences and a graduate of Wesleyan University.
Director:
2013 After Tiller
2017 The Departure
2020 Miss Americana
2024 Look Into My Eyes
Executive Producer:
2013 After Tiller
2017 The Departure
2020 Miss Americana
2024 Jailbreak: Love on the Run
2024 Look Into My Eyes
Producer:
2013 After Tiller
2017 The Departure
2020 Miss Americana
2021 Windows to the Soul
2024 Jailbreak: Love on the Run
2024 Look Into My Eyes
Thanks:
2013 After Tiller
2017 The Departure
2020 Miss Americana
2021 Windows to the Soul
2024 Jailbreak: Love on the Run
2024 Look Into My Eyes
2025 Predators
Writer:
2013 After Tiller
2017 The Departure
2020 Miss Americana
2021 Windows to the Soul
2024 Jailbreak: Love on the Run
2024 Look Into My Eyes
2025 Predators
Director:
2023 Pretty Baby: Brooke Shields
Executive Producer:
2023 Pretty Baby: Brooke Shields
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.