A work in constant progress (and occasional regress).
Birthplace:
Cleveland, Tennessee, USA
Travis Beacham is an American screenwriter. He was the screenwriter and co-writer for Guillermo del Toro's Pacific Rim. Just prior to graduating from the School of the Arts in 2005, Beacham contributed to the independent feature Dog Days of Summer. Beacham's first spec script Killing on Carnival Row was picked up by New Line Cinema in 2005. Characterized as "a dark neo-noir fantasy thriller," the project has alternately been in development with directors Guillermo del Toro and Neil Jordan. In May 2006, Beacham was hired to write an early draft of the Warner Bros. remake of the 1981 mythology epic Clash of the Titans. His second spec script, an "otherworldly fantasy" titled The Tanglewood, was picked up by Carnival Row producers Arnold Kopelson and Anne Kopelson in 2007. In 2009, Beacham was reported to be working on the screenplay for the Disney remake of The Black Hole. Plot details of Beacham's script have been kept under wraps, but the new film is said to be more grounded in science.
Characters:
2018 Pacific Rim: Uprising
Screenplay:
2007 Dog Days of Summer
2010 Clash of the Titans
2013 Pacific Rim
2018 Pacific Rim: Uprising
Story:
2007 Dog Days of Summer
2010 Clash of the Titans
2013 Pacific Rim
2018 Pacific Rim: Uprising
Characters:
2021 Pacific Rim: The Black
Creator:
2019 Carnival Row
2021 Pacific Rim: The Black
Executive Producer:
2019 Carnival Row
2021 Pacific Rim: The Black
Story:
2019 Carnival Row
2021 Pacific Rim: The Black
Writer:
2017 Philip K. Dick's Electric Dreams
2019 Carnival Row
2021 Pacific Rim: The Black
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.