A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Eduardo "Teddy" Williams (born 1987) is an Argentine film director. He first studied at Universidad del Cine in Buenos Aires, and then in Fresnoy, France, under the tutorship of Portuguese director Miguel Gomes. Williams works within an avant-garde/experimental tradition, and has made the feature film The Human Surge, in addition to a number of short films. His works have been presented at film festivals such as Cannes, Locarno, Toronto and New York. He frequently works with his partner and fellow countryman actor Nahuel PĂ©rez Biscayart.
Director:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Director of Photography:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Editor:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Music:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Producer:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Screenplay:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Visual Effects:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Writer:
2009 They were seen
2011 Beware
2011 I Could See a Puma
2012 The Sound of the Stars Dazes Me
2013 That I'm Falling?
2014 I Forgot!
2017 Searching Nafta
2017 TZZD
2017 The Human Surge
2019 30th anniversaire of FIDMarseille
2019 Parsi
2022 A Very Long Gif
2024 The Human Surge 3
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.